Unsettling Scores: German Film, Music, and Ideology
Unsettling Scores: German Film, Music, and Ideology
复制标题
令人不安的乐谱：德国电影、音乐和意识形态
作者：
R. Hillman
Establishing a tonal center Music as cultural marker in German film History on the soundtrack: The example of Beethoven's Ninth A Wagnerian German Requiem: Syberberg's Hitler (1977) Alexander Kluge's Songs without Words: Die Patriotin (1979) Fassbinder's compromised request concert: Lili Marleen (1980) The great eclecticism of the filmmaker Werner Herzog Pivot Chords: Austrian music and Visconti's Senso (1954) Conclusion: Film music and cultural memory
