Art in small-scale societies : contemporary readings
Art in small-scale societies : contemporary readings
复制标题
小规模社会中的艺术：当代读物
作者：
Richard L. Anderson;K. L. Field
1.介绍性问题。帕特里克河麦克诺顿，在外地：曼德铁匠。约翰米勒巴夫，一个现场工作者启动：非洲节奏和非洲的敏感性。查尔斯·凯尔，《论跨文化翻译》。Christian Kaufmann，Kwoma Society的艺术和艺术家。2.艺术在小规模社会中的作用凯·鲍曼，马莱西亚的壳牌石油公司。肯尼思·W《圣地亚哥·萨卡特佩克斯的风筝》。唐纳德·H鲁宾斯坦：《社会结构》（The Social Fabric：The Western Textile Patterns and Social Order）克里斯特劳德·M Geary，《喀麦隆草原的艺术与政治进程》。3.Symbolism. Aldona Jonaitis，北方特林吉特艺术的等级制度。斯泰西B。Schaefer，织机作为一个神圣的权力对象在Huichol文化。多贡艺术的形式与意义。大卫M。Guss，Yekuana Myths of the Origins of Artifacts。Paula Girshick Ben Amos，《贝宁的人类与动物》，第4条。艺术家卢安娜·M雷基，在阿卡特兰学习成为一名陶工。Paul F.柏林人，姆比拉球员和姆比拉之间的关系。西德尼·M米德，星星海港地区的艺术。Lila Abu-Lughod，《抵抗的浪漫：通过贝都因妇女追踪权力的转变》。Nancy J. Parezo，纳瓦霍沙画：性别角色在工艺生产中的重要性。玛格丽特·布莱克曼，木匠大师的女儿：西北海岸的女性艺术家。Peter G.《边缘人：秘鲁希皮博印第安人中的男性艺术家》。5.艺术的心理学与哲学。科斯，艺术表现和创造力在波多黎各占有邪教。菲利普湖《波勒雕像艺术：意义与现代化》西尔维娅·阿德恩·布恩，《沃茨的光辉：门德女性之美》。Babatunde Lawal，约鲁巴美学的一些方面。加里威瑟斯彭，纳瓦霍编织的符号几何学。6.转型中的艺术Joann W. Kealiinohomoku，夏威夷和霍皮人的音乐和舞蹈。J.J.布罗迪，现代霍皮绘画。罗伯特·法里斯·汤普森（Robert Farris Thompson），《圆形房屋：美洲与曼德拉有关的建筑》（Round Houses：Mande Related Architecture in the Americas）作者。托比·爱丽丝·库斯曼，《愿景与修正：塔拉霍文化与旅游凝视》。Richard L.安德森，两种审美对比：小规模与复杂性和本土与后接触。7.新方向：旁观者分享。Karen L.菲尔德，利比里亚和美国的艺术家：一个比较的观点。克里斯特劳德·M《巴姆的影像：德国在喀麦隆的殖民摄影》（Images from Bamum：German Colonial Photography in Cameroon）苏珊娜普雷斯顿布利尔，梅尔维尔J.赫斯科维茨和古代达荷美的艺术。Richard L.安德森，真正重要的艺术。
1. Introductory Issues. Patrick R. McNaughton, In the Field: Mande Blacksmiths. John Miller Chernoff,A Fieldworker Initiation: African Rhythm and African Sensibilty. Charles Keil, On Inter-cultural Translation. Christian Kaufmann,Art and Artists in Kwoma Society. 2.The Functions of Art in Small-Scale Societies. Kay Bauman, Shell Ornaments of Malaitia. Kenneth W. Smith, The Kites of Santiago Sacatepequez. Donald H. Rubinstein, The Social Fabric: Micronesian Textile Patterns and Social Order. Christraud M. Geary,Art and Political Process in the Cameroon Grassfields. 3.Symbolism. Aldona Jonaitis,Hierarchy in the Art of the Northern Tlingit. Stacy B. Schaefer, The Loom as a Sacred Power Object in Huichol Culture. Barbara DeMott, Form and Meaning in Dogon Art. David M. Guss, Yekuana Myths of the Origins of Artifacts. Paula Girshick Ben Amos, Humans and Animals in Benin Art. 4. Artists. Louana M. Lackey, Learning to Be a Potter in Acatlan. Paul F. Berliner, The Relationship Between the Mbira Player and the Mbira. Sidney M. Mead, Artmanship in the Star Harbour Region. Lila Abu-Lughod, The Romance of Resistance: Tracing Transformations of Power through Bedouin Women. Nancy J. Parezo, Navajo Sandpaintings: The Importance of Sex Roles in Craft Production. Margaret Blackman, Master Carpenters Daughters: Women Artists of the Northwest Coast. Peter G. Roe, Marginal Men: Male Artists Among the Shipibo Indians of Peru. 5.The Psychology and Philosophy of Art. Joan D. Koss, Artistic Expression and Creativity in Puerto Rican Possession Cults. Philip L. Ravenhill, Baule Statuary Art: Meaning and Modernization. Sylvia Ardyn Boone, Radiance from the Waters: Mende Feminine Beauty. Babatunde Lawal, Some Aspects of Yoruba Aesthetics. Gary Witherspoon, The Semiotical Geometry of Navajo Weaving. 6.Art in Transition. Joann W. Kealiinohomoku, Music and Dance of the Hawaiian and Hopi Peoples. J.J. Brody,Modern Hopi Painting. Robert Farris Thompson, Round Houses: Mande-related Architecture in the Americas. Toby Alice Volkman, Visions and Revisions: Tarajo Culture and the Tourist Gaze. Richard L. Anderson, Two Sorts of Aesthetic Contrast: Small-scale Versus Complex and Indigenous Versus Post-contact. 7.New Directions: The Beholder Share. Karen L. Field, Artists in Liberia and the United States: A Comparative View. Christraud M. Geary, Images from Bamum: German Colonial Photography in Cameroon. Suzanne Preston Blier, Melville J. Herskovits and the Art of Ancient Dahomey. Richard L. Anderson, Art that Really Matters.