Material Disciplines in the Shanghai Art World
Material Disciplines in the Shanghai Art World
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发表时间：
2019-08
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通讯作者：
P. Oakley
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作者：
P. Oakley
本报告以陶瓷和玻璃为例，探讨了上海材料学科的地位。它注意到，在工作室实践中教授的两种材料都有教育方案，但城市中缺乏基础设施，无法支持希望专注于这些材料的早期职业创造性从业者。陶瓷从业者面临着观念上的障碍，即材料体现了中国的非物质遗产，以及低利润零售形式的财政障碍，加上专业陶瓷生产中心的广泛生产设施。相比之下，由于缺乏历史先例，玻璃从业者没有遭受同样的负担，在上海玻璃博物馆有一个潜在的倡导者，它展示了一系列当代玻璃雕塑作品。
This report considers the position of material-based disciplines in Shanghai, focusing on ceramics and glass as case studies. It notes the existence of educational programmes for both materials taught in terms of studio practice, but also the absence of an infrastructure in the city that can support early career creative practitioners wanting to focus in these materials. Ceramics practitioners face conceptual barriers with respect to the material as embodying Chinese intangible heritage and financial obstacles in the form of low-margin retailing combined with the extensive production facilities of specialist ceramics production centres. In contrast, due to the lack of historical precedents, glass practitioners do not suffer the same burden and have a potential advocate in the Shanghai Museum of Glass, which presents a range of contemporary glass sculptural works.