Literary and Historic Flâneuses: Observation, Commentary, Enterprise and Courage in Late-Nineteenth-Century Women's Professional Lives
Literary and Historic Flâneuses: Observation, Commentary, Enterprise and Courage in Late-Nineteenth-Century Women's Professional Lives
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文学和历史的流淌：十九世纪末女性职业生活中的观察、评论、进取心和勇气
DOI：
10.1093/jvcult/vcy070
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发表时间：
2019
影响因子：
0.3
通讯作者：
Hall L
中科院分区：
文献类型：
--
作者：
Hall L
关于世纪末和世纪初城市现代性的典范-流浪汉概念的讨论，既集中于对这一人物的男子气概的批判，也集中于对妇女的流浪的更激进和微妙的概念。本文探讨了19世纪70年代、80年代和1910年代出版的小说中的三个女性角色--西多尼夫人、亨里埃塔斯塔克波尔和埃尔西·本戈夫--的女性化和非女性化，以及活跃于1869-1885年的伦敦女演员和漫画家玛丽·杜瓦尔在职业生涯和作品中的相关不和谐和协同作用。本文认为，这一时期连续出版物的制作和发行热潮伴随着阅读类型的变化，导致了新的女性职业身份的体现，这与不断变化的城市生活体验和不断变化的城市生活体验有关。阅读的经历。本文对1894年以后这几类城市职业妇女的新观念和新妇女身份的发展进行了区分。它研究了历史的理解性的虚构flâneuses左拉，詹姆斯和洋葱的读者，根据新的机会和禁令，构成了发展中的城市娱乐业的生活经验的时期，在杜瓦尔的漫画和插图每周伦敦杂志朱迪，或伦敦Serio-Comic杂志。
Discussions of the conception of that exemplar of late-nineteenth-century and early-twentieth century urban modernity, the flâneur, have focused on both critique of the figure’s masculinity and more radical and nuanced conceptions of women’s flânerie. This article considers both the re-gendering and ungendering of flânerie in the character of three flâneuses in fiction published in the 1870s, 1880s and 1910s: Madame Sidonie, Henrietta Stackpole, and Elsie Bengough, and related dissonances and synergies in the career and work of London actress and cartoonist Marie Duval, active 1869–1885. It will argue that changes in types of reading supervened upon the boom in the production and distribution of serial publications during this period, resulting in the embodiment of new female professional identities, relative to both changing experiences of urban life and changing experiences of reading. The article makes a distinction between new ideas of these types of urban professional woman and the development of the identity of the New Woman after 1894. It examines the historic comprehensibility of the fictional flâneuses to readers of Zola, James, and Onions, according to the new opportunities and prohibitions that constituted the lived experiences of the developing urban entertainments industry of the period, in Duval’s comic strips and vignettes in the weekly London magazine Judy, or The London Serio-Comic Journal.