The Origin of Genres
The Origin of Genres
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流派的起源
DOI：
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发表时间：
1976
期刊：
影响因子：
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通讯作者：
R. Berrong
中科院分区：
文献类型：
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作者：
T. Todorov;R. Berrong
如今，坚持讨论流派似乎是一种闲散的消遣，即使不是明显不合时宜的消遣。每个人都知道它们存在于古典音乐的美好时代——民谣、颂歌、十四行诗、悲剧和喜剧——但今天呢？即使是十九世纪的体裁（尽管不完全是我们思维方式的体裁）——诗歌、小说，似乎也在我们这个时代瓦解，至少在“重要的”文学中如此。正如莫里斯·布朗肖 (Maurice Blanchot) 在谈到一位现代作家赫尔曼·布洛赫 (Hermann Broch) 时所说：“像我们这个时代的许多其他作家一样，他经历了文学的冲动，不再容忍流派的区别，并想要打破限制。”
TO PERSIST in discussing genres today might seem like an idle if not obviously anachronistic pastime. Everyone knows that they existed in the good old days of the classics-ballads, odes, sonnets, tragedies, and comedies-but today? Even the genres of the nineteenth century (though not altogether genres to our way of thinking)-poetry, the novelseem to be disintegrating in our era, at least in the literature "that counts." As Maurice Blanchot wrote of one modem writer, Hermann Broch: "Like many other authors of our era, he experienced that impetuous impulse of literature that no longer tolerates the distinction of genres and wants to shatter the limits."