Performing Nostalgia: Migration Culture and Creativity in South Albania
Performing Nostalgia: Migration Culture and Creativity in South Albania
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表演怀旧：南阿尔巴尼亚的移民文化与创造力
DOI：
10.4324/9781315089935
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发表时间：
2015
期刊：
影响因子：
--
通讯作者：
Eckehard Pistrick
中科院分区：
文献类型：
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作者：
Eckehard Pistrick
移民研究在音乐学和其他学科中都是一个日益重要的领域。移民如何通过音乐实践来表达和想象自己？音乐是如何帮助他们构建社会想象和处理渴望和财产的？在这项对后社会主义阿尔巴尼亚移民音乐的研究中，Eckehard Pistrick确定了表演中声音、空间、情感和流动性之间的联系，为声音与移民之间有争议的关系提供了新的见解，并阐明了移民过程的文化影响。皮斯特里克方法的核心是情感对音乐创造力的重要作用，这在整部书中都得到了强调：痛苦和渴望不是作为创伤的终点来讨论的，而是作为人类行为的驱动力和文化创造力的源泉。此外，该研究还提供了一个关于欧洲声乐传统现状的迷人概述，该传统是地中海歌唱传统马赛克的一部分，很少有文献记载。它指的是传统政治、再传统化的动态和音乐全球化给这种做法带来的挑战。在这个意义上，这本书构成了一个重要的研究动态后社会主义，从音乐学的角度来看。内容
Migration studies is an area of increasing significance in musicology as in other disciplines. How do migrants express and imagine themselves through musical practice? How does music help them to construct social imaginaries and to cope with longings and belongings? In this study of migration music in postsocialist Albania, Eckehard Pistrick identifies links between sound, space, emotionality and mobility in performance, provides new insights into the controversial relationship between sound and migration, and sheds light on the cultural effects of migration processes. Central to Pistrick’s approach is the essential role of emotionality for musical creativity which is highlighted throughout the volume: pain and longing are discussed not as a traumatising end point, but as a driving force for human action and as a source for cultural creativity. In addition, the study provides a fascinating overview about the current state of a rarely documented vocal tradition in Europe that is a part of the mosaic of Mediterranean singing traditions. It refers to the challenges imposed onto this practice by heritage politics, the dynamics of retraditionalisation and musical globalisation. In this sense the book constitutes an important study to the dynamics of postsocialism as seen from a musicological perspective. Contents