Investigating Music-Dance Relationships
Investigating Music-Dance Relationships
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调查音乐与舞蹈的关系
DOI：
10.1215/00222909-9124714
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发表时间：
2021
影响因子：
1.4
通讯作者：
Mari Romarheim Haugen
中科院分区：
文献类型：
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作者：
Mari Romarheim Haugen
本文研究的是挪威传统音乐与舞蹈之间的密切关系，即相邻节拍之间的持续时间不相等。一项对小提琴手和舞蹈演员的动作捕捉研究显示，小提琴手和舞蹈演员的周期性动作在节拍水平上都存在长-中-短的持续时间模式。结果还揭示了小提琴手和舞者如何执行运动模式之间的对应关系。这种对应关系表明，表演者对音乐的潜在“感觉”有着共同的理解。结果进行了讨论，在最近的理论观点对人类感知的多模态。有人认为，这种特殊的感觉来自与舞蹈有关的具体感觉，以及音乐和舞蹈如何随着时间的推移而发展。这项研究提倡音乐和舞蹈的整体观，内部经验的重要性，以及体现经验在指导我们理解音乐方面的作用。
This article studies the rhythm of Norwegian telespringar, a tradition with an intimate relationship between music and dance that features a nonisochronous meter; that is, the durations between adjacent beats are unequal. A motion-capture study of a fiddler and dance couple revealed a long-medium-short duration pattern at the beat level in both the fiddler's and the dancers' periodic movements. The results also revealed a correspondence between how the fiddler and the dancers executed the motion patterns. This correspondence suggests that the performers share a common understanding of the underlying “feel” of the music. The results are discussed in light of recent theoretical perspectives on the multimodality of human perception. It is argued that the special feel of telespringar derives from embodied sensations related to the dance and how music and dance have developed in tandem over time. The study advocates a holistic view of music and dance, the importance of insider experience, and the role of embodied experience in guiding our understanding of the music as such.