The entanglements which make instruments musical: Rediscovering sociality
The entanglements which make instruments musical: Rediscovering sociality
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使乐器具有音乐性的纠葛：重新发现社会性
DOI：
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发表时间：
2021
影响因子：
1.1
通讯作者：
S. Waters
中科院分区：
文献类型：
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作者：
S. Waters
一件事物之所以成为乐器，是因为它在社会环境中被使用，而这种使用的最初意图（如果有的话）只是一部分，有时甚至是很小的一部分。借鉴“性能生态系统”的概念，本文认为，仪器设计师/制造商与数字技术的工作可能会卓有成效地参加进一步的社会背景/结构，涵盖每一个层次的音乐。它着眼于演奏者、乐器和环境的涌现性、情境性共同发展，表明人类习惯性地使用乐器来感知、测试和探索自我与他人关系的可能性，这些关系是动态的、相互参与的，而且往往是嬉戏和即兴的行为。（参见Hodder，2012），因此，物体，人类，环境，历史和思想之间的复杂网络。这种相互依赖性可能与物理或历史距离无关，尽管普遍存在，但也可能是暂时的或不可预测的。
A thing becomes a musical instrument by virtue of its use in a social context, a use of which its initial intended design (if it had one) forms only a part: sometimes a very small part. Drawing on the notion of the ‘performance ecosystem’ this papersuggests that instrument designers/makers working with digital technologies might fruitfully attend further to the social contexts/constructs that characterise every level of musicking. It looks at the emergent, situated co-development of player, instrument and environment, suggesting that humans habitually use instruments to sense out, test and probe the possibilities of self-other relations in dynamic, mutually-engaging, and often playful and improvised behaviours.1 11 The entanglements (see e.g. Hodder, 2012) of the title are therefore the complex network of interrelations between objects, humans, environments, histories and ideas. Such co-dependencies may operate irrespective of physical or historical distance, and though pervasive may also be temporary or unpredictable.?>