New perspectives on music and gesture
New perspectives on music and gesture
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DOI：
10.4324/9781315598048
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发表时间：
2011-04
期刊：
影响因子：
--
通讯作者：
A. Gritten;Elaine C. King
中科院分区：
文献类型：
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作者：
A. Gritten;Elaine C. King
以第一卷《音乐和手势》的见解为基础（Gritten & King 2006），这一续集卷的基本原理是双重的：首先，通过突出中心和发展趋势，以及流行和不太频繁的调查领域，澄清主题继续形成的方式;第二，就第一卷所阐述的主题的特定领域提供替代和补充的见解。十三个章节的结构是在一个广泛的叙事轨迹从理论到实践，包括西方和非西方的做法，真实的和虚拟的姿态，现场和记录的表演，物理和声学姿态，视觉和听觉感知，以及其他主题的热门兴趣。主要研究领域包括心理生物学;感知和认知;哲学和符号学;指挥;以及合奏和钢琴独奏。本书旨在促进和激励“音乐手势研究”的进一步研究。
Building on the insights of the first volume on Music and Gesture (Gritten & King 2006), the rationale for this sequel volume is twofold: first, to clarify the way in which the subject is continuing to take shape by highlighting both central and developing trends, as well as popular and less frequent areas of investigation; second, to provide alternative and complementary insights into the particular areas of the subject articulated in the first volume. The thirteen chapters are structured in a broad narrative trajectory moving from theory to practice, embracing Western and non-Western practices, real and virtual gestures, live and recorded performances, physical and acoustic gestures, visual and auditory perception, among other themes of topical interest. The main areas of enquiry include psychobiology; perception and cognition; philosophy and semiotics; conducting; and, ensemble work and solo piano playing. The volume is intended to promote and stimulate further research in "Musical Gesture Studies".