Guerilla art, social value and absent heritage fabric
Guerilla art, social value and absent heritage fabric
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游击艺术、社会价值和缺席的遗产结构
DOI：
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发表时间：
2011
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通讯作者：
Jennifer M. Harris
中科院分区：
文献类型：
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作者：
Jennifer M. Harris
有大量的评论的作用，未经授权的艺术，但很少在文化遗产的价值和游击队艺术的巧合。本文分析了两者的关系，在2007年的雕像，这是一个纪念碑失去的地方，没有幸存的历史织物。这座雕像不仅是一个纪念的地方，也是一个游击艺术的地方;一个政府的官方艺术品和未经批准的社区表演之间出现了复杂的相互作用。越来越多的遗产强调社会价值，而不是原来的织物的主导地位，这表明雕像受到欢迎的喜悦照亮了不断发展的遗产哲学，纪念碑语言和遗产社区的重要性的出现，特别是在一个网站上的潜在性能价值。这座雕像对城市做出的巨大贡献对景观美化，规划，历史和遗产领域产生了影响。
There is extensive commentary on the role of unauthorised art, but little on the coincidence of heritage value and guerilla art. This paper analyses the relationship of the two in a 2007 statue which is a monument to a lost place for which there is no surviving historic fabric. The statue functions not just as a place of memory, but of guerilla art; a complex interplay has emerged between an official piece of government art and unsanctioned community performance. Growing heritage emphasis on social value over the previous dominance of original fabric suggests that the delight with which the statue has been greeted illuminates evolving heritage philosophy, monument language and the emergence of the importance of the heritage community especially for its potential performance value at a site. The dramatic contribution that the statue has made to the city has an impact on the fields of landscaping, planning, history and heritage.