[Perception and prediction in melody: simulation of the final-tone extrapolating behavior].
[Perception and prediction in melody: simulation of the final-tone extrapolating behavior].
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[旋律的感知和预测：终音外推行为的模拟]。
DOI：
10.4992/jjpsy.58.275
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发表时间：
1987
期刊：
影响因子：
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通讯作者：
J. Abe
中科院分区：
文献类型：
--
作者：
J. Abe
本文描述了一种人类旋律感知理论和他的终音外推行为，体现在一个名为ftes2的计算机模拟模型中。并给出了相关实验结果。一个专业的音乐家在推断最后的音调和这些过程的计算机模拟使用的过程进行了对比和讨论。该理论由几个一般规则和几个个人的“音调”处理规则组成。目前的研究结果表明，对旋律的解释在很大程度上取决于“音调”规则的特征。
This paper describes a theory of human melody perception and his final-tone extrapolation behavior, enbodied in a computer simulation model called FTES 2. Related experimental findings were also presented. The processes used by an expert musician in extrapolating final-tones and the computer simulation of these processes are contrasted and discussed. The theory consisted of a few general rules and several personal "tonal" processing rules. The present findings indicate that interpretation of a melody depends, in large part, on the characteristics of the "tonal" rules.