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Programming, Curating and Reconstruction as Elements of a Performative Practice of Film Historiography

编程、策展和重构作为电影史学表演实践的要素

基本信息

批准号：
211000735
负责人：
Dr. Senta Siewert
金额：
--
依托单位：
Institut für Medienwissenschaft
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2012
资助国家：
德国
起止时间：
2011-12-31 至 2016-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/211000735?language=en
关键词：
Programming Curating Reconstruction Elements Performative

项目摘要

As film archives are gradually gaining in significance under the banner of the reflexive historicization of media culture, a process in which the circulation of film images in digital networks also plays a decisive role, the project pays particular attention to the relationship between memory and remembrance functions and film aesthetics at the place where film archives, cinemas and exhibition practice come together. The starting point is formed by the concept of the curated program as constituting a medium of representation and film historiography, a concept thus far largely neglected in previous research. The project raises the question of the extent to which the practice of film programming can be understood as a mode of historiography. It answers these questions based on an examination of concrete curatorial concepts from selected film and video art institutions, whose archives and collections and their respective preservation and reconstruction practices are analysed from a comparative perspective. Expanding the horizons of previous film theoretical reflections, the project works on the assumption that screening practice plays just an important role in aesthetically determining the subject of film as is the case for a particular performance of a musical piece for example. In light of this assumption, the project draws on significant case studies to examine three key areas with regard carrying out archive work and portraying archive holdings: experimental film/expanded cinema, film and video installations and curated film programs. The period of investigation extends from the 1970s to the present.

随着电影档案馆在媒体文化的反思历史化的旗帜下逐渐获得重要性，在这个过程中，电影图像在数字网络中的流通也起着决定性的作用，该项目特别关注电影档案馆，电影院和展览实践结合在一起的记忆和纪念功能与电影美学之间的关系。本文的出发点是将策展节目作为一种表现媒介和电影史学的概念，这是一个迄今为止在以往研究中被忽视的概念。该项目提出了一个问题，即电影节目制作的实践在多大程度上可以被理解为一种史学模式。它回答了这些问题的基础上，从选定的电影和视频艺术机构，其档案和收藏及其各自的保存和重建的做法进行了比较分析的具体策展概念的检查。该项目扩展了以往电影理论反思的视野，其假设是放映实践在美学上决定电影主题方面发挥着重要作用，例如音乐作品的特定表演。根据这一假设，该项目借鉴了重要的案例研究，以审查有关开展档案工作和描绘档案馆藏的三个关键领域：实验电影/扩大电影，电影和视频装置以及策划电影节目。调查时间从20世纪70年代一直延续到现在。