Die Wandreliefs des Zweiten Lichthofs im Grab des Monthemhat (TT 34). Versuch einer zeichnerischen Rekonstruktion.

在从第25王朝到第26王朝的几十年过渡中，蒙特哈特是“陛下的眼睛和耳朵”，他向我们保证，他能够为自己挑选最好的宫廷工人。他的葬礼纪念碑（TT 34）的装饰，在底比斯Asasif的三个层次上延伸，因此是最高质量的。尤其是所谓的第二个院子。墓室的墙壁长12米，宽16米，上面画满了墓主及其家人的日常生活和周围环境，这些都是用浮雕描绘的。今天，只有20%的辉煌是保存在原地，与数百个微小的破碎碎片躺在地上，其他散落在整个坟墓;许多碎片被抢劫和出售到国外。本卷是第一次尝试重建这面墙装饰的设计。这一时期艺术中的仿古倾向，通过与古王国时期墓葬中的内容进行比较来确定自己的方向，在这里帮助了我们，与附近的伊比墓（TT 36）进行比较的可能性也是如此。在我们的眼前出现了一幅生动的蒙特姆哈特财富的全景图，这是他的学徒们的产物，他们在花园和田野里，在水边或牧场上辛勤地工作。我们观察到来自南方的满载船只的返回，金匠的活动，雕塑家，造船者，马车制造商，以及在墓主人的作坊中生产凉鞋，cahopic罐子和ushebtis。我们观察葡萄酒商、农民、渔民和牧民的工作。最后，我们参加Monthemhat的娱乐活动，如棋盘游戏，音乐和舞蹈，也在狩猎鸟和鱼的投掷棒或矛在动画纸莎草沼泽。

Monthemhat, "eye and ear of his Majesty" in the decades of transition from the 25th to the 26th dynasty, was able, as he assures us, to select the best of the palace workmen for himself. The decoration of his funeral monument (TT 34), extending over three levels in the Asasif of Thebes, was accordingly of the highest quality. This applies especially to the so-called Second Courtyard. Its walls, 12 m long and 16 m wide, were covered with scenes of 'daily life and the surroundings of the tomb owner and his family, depicted in elevated and richly painted relief. Today only 20 % of this splendour is conserved in situ, with hundreds of tiny broken fragments lying on the ground, others scattered all over the tomb; many fragments were robbed and sold abroad. This volume is the first attempt to reconstruct the design of this wall decoration. The archaistic tendency in the art of this period, orienting itself by comparable contents of Old Kingdom tombs^ helped us here, as did also the possibilities of comparison with the nearby tomb of Ibi (TT 36). Before our eyes there arises a vivid panorama of Monthemhat's wealth, the product of his domestics, who are working industriously in garden and field, beside the water or in the pasture. We observe the return of the heavily loaded ships coming from the South, the activities of gold-smiths, sculptors, ship-builders, carriage-builders, and the production of sandals, cahopic jars and ushebtis in the workshops of the tomb-owner. We observe the work of the vintagers, peasants, fisher- and herdsmen. And finally, we participate in Monthemhat's recreational activities, such as board games, music and dance, also in the hunting of bird and fish by the throw-stick or the spear in the animated papyrus-marshes.