The polychrome wooden sculptures of the Jesuit reductions in Paracuaria, 1609 -1767Art Technological investigation with regards to the contribution of German Jesuits

1609-1767年在Paracuaria的耶稣会减少的多彩木雕艺术技术调查，包括德国耶稣会的贡献帕拉库里亚，存在于1609年到1767年驱逐耶稣会在该地区，包括今天的巴拉圭，阿根廷和巴西的一部分，仍然是有争议的研究讨论。判断的范围从实现乌托邦、基督教理想状态、基督教共产主义到以其他方式殖民，并直接使耶稣会富裕起来，直到成功的发展援助。从两种文化冲突的艺术角度来看，这一遗产是无可争辩的，因为它们截然不同：生活在新石器时代的美国印第安人、瓜拉尼印第安人和来自西班牙、意大利、法国、比利时、波希米亚和德国的欧洲耶稣会传教士。视觉艺术为耶稣会服务，成为基督教的重要手段。在1778年教团被驱逐后，30座装饰华丽的传教教堂保留了下来，还有许多祭坛、绘画和多彩木雕。自1984年以来，七处传教遗址被列为世界遗产。从历史上看，对这种雕塑存量的处理还处于起步阶段。由于这些雕塑既没有签名也没有日期，而且传统的档案只允许在特殊情况下进行记录，专家们对各种表现形式的分类存在分歧。由于今天还不清楚具体的库存情况，所以关于配送、维护和技术的数据还没有登记，甚至没有系统地汇编。直到现在，才对这些数字进行了科学的技术分析。缺乏对雕刻技术的进一步系统研究，只有在特殊情况下才能确定木材的类型。该项目是历史学家、艺术历史学家、神学家、人类学家和民族学家、科学家、艺术技术学家和修复者的跨学科合作，旨在记录和检查雕塑清单，并编制耶稣会减少的彩色木雕目录，以及所有雕塑的专业摄影文件。这些作品将进行历史上的艺术编辑，对艺术进行技术审查，并将提供全面的材料供应(木材类型、着色剂、粘合剂、后续修订和保护材料)。对作品的跨学科研究应提供有关雕塑的生产、起源、风格发展、原始外观、功能和背景的信息。该目录将以西班牙语和英语在互联网上发布，包括所有相关信息。

The polychrome wooden sculptures of the Jesuit reductions in Paracuaria, 1609 - 1767 Art Technological investigation including the contribution of German Jesuits The Jesuit state of Paracuaria, which existed from 1609 to the expulsion of the Jesuits in 1767 in the area that includes parts of present-day Paraguay, Argentina and Brazil, is still controversially discussed in the research. The judgments range from the realization of a utopia, the Christian ideal state, the Christian communism to colonization by other means and direct Jesuit enrichment up to successful development aid. The heritage is indisputably in the artistic view of this clash of two cultures, as they could not be more different: the neolithic living American Indian population, the Guarani Indians, and the European Jesuit missionaries from Spain, Italy, France, Belgium, Bohemia and Germany. Visual art served the Jesuits as an important means to Christianity. After the expulsion of the order in 1778, 30 magnificently decorated mission churches, with numerous altars, paintings and polychrome wooden sculptures remained. Since 1984, seven of the mission ruins are World Heritage. Art historically the treatment of this sculpture stock is still at the beginning. Since the sculptures are neither signed nor dated and also the traditional archival only allow write-ups in exceptional cases, the experts are divided over how the various manifestations are classified. Because the exact inventory is not clear today, the data on the distribution, maintenance and technology are not yet registered or not even compiled systematically. A scientific-art technological analysis of these figures did not take place until the present time. Further systematic studies to the carving techniques are lacking and only in exceptional cases the types of wood are determined. The project is an interdisciplinary collaboration of historians, art historians, theologians, anthropologists and ethnologists, scientists, art technologists and restorers and aims to document and examine the sculptures inventory as well as prepare a catalog of the polychrome wood sculptures of the Jesuit reductions, with professional photographic documentation of all sculptures. The works are going to be edited art historically, examined art technologically and comprehensive material provisions are going to be made (types of woods, colorants, binders, subsequent revisions and conservation materials). The interdisciplinary study of the works should provide information on the production, origin, development of styles, the original appearance, functionality and the context of the sculptures. The catalog is going to be published in Spanish and English on the Internet, including all related information.