Comparative Viewing of Pictures: Practices of Incomparability and the Theory of the Sublime (E02 [C01])

图片的比较观看：不可比性的实践和崇高的理论（E02 [C01]）

• 批准号: 331191799
• 金额: --
• 依托单位: Seminar für Kunstgeschichte und Filmwissenschaft
• 依托单位国家: 德国
• 项目类别: Collaborative Research Centres
• 财政年份: 2017
• 资助国家: 德国
• 起止时间: 2016-12-31 至 2023-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/331191799?language=en
• 关键词: Comparative; Viewing; Pictures; Practices; Incomparability

In the first funding phase, the project reconstructed formations of practices of comparing in pictures as they were developed in the 18th century among connoisseurs as well as when dealing with pairs of pictures. On this basis, the project is now using the example of the sublime to examine how incomparability is produced and experienced by means of specific comparative practices. Taking Kant's definition of the sublime as its point of departure, the project is investigating how art theory and art practice around 1800 attempted to solve the problem of a pictorial representation or evocation of the sublime by resorting to routinized formations of practices with pictures.

在第一个资助阶段，该项目重建了18世纪在鉴赏家以及处理成对图片时发展起来的图片比较实践的形成。在此基础上，该项目现在以崇高为例，通过具体的比较实践来研究不可比较性是如何产生和体验的。以康德对崇高的定义为出发点，该项目正在研究1800年左右的艺术理论和艺术实践如何试图通过诉诸于绘画的常规形式来解决绘画表现或崇高唤起的问题。