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Van Gogh TV. Critical Edition, Multimedia-documentation and analysis of their Estate.

梵高电视.

基本信息

批准号：
388224396
负责人：
Professor Dr. Jens Schröter
金额：
--
依托单位：
Abteilung für Medienwissenschaft
依托单位国家：
德国
项目类别：
Research Grants
财政年份：
2018
资助国家：
德国
起止时间：
2017-12-31 至 2022-12-31
项目状态：
已结题

来源：
https://gepris.dfg.de/gepris/projekt/388224396?language=en
关键词：
Van Gogh TV.Critical Edition

项目摘要

The goal of the project is to study the groundbreaking work of Van Gogh TV, a collective of hackers and artists who created pioneering online-communication platforms in the early 1990s. With projects like Piazza Virtuale, their contribution to the documenta 1992, they provided a blueprint for the collaborative and communicative possibilities of contemporary Social Media such as Facebook or Twitter.Using the technological tools available to them before the advent of the internet, they tried to create a type of collaborative media practice, a many-to-many-network that was meant to be an alternative to the traditional model of the mass media. This media practice included regular nightly shows on television stations in Germany, Austria and Japan, the use of Fax, Slow Scan Television and the Bulletin Board Services (BBS).To create this type of communication situation, the group had to build their own devices and program their own software, and many of their inventions anticipitated todays developments in online media, telerobotics and the Internet of Things. However, due to the complete inaccessibility of their estate in the last two decades, their work has not yet entered the historical canon of pioneering media projects. The project will use four approaches towards its subject. First of all, the estate of the group has to be readied for long-term preservation. Over 2000 hours of analogue videos, the complete paper files of Piazza Virtuale and digital files and emails regarding the project will be transferred to long-term storage media and handed over to the documenta Archiv in Kassel, where they will be accessible to other scholars.Secondly, a good number of the over 50 participants of Van Gogh TV will be interviewed in order to create an oral history of the project that will contextualize the archival material. The oral history will be published as a monograph in its own right.This material will be the basis for a theoretical study of the groups work and the coming-into-being of new types of media. The oeuvre of Van Gogh TV is an ideal subject to study the way technological advances are anticipitated before they become reality. Using a number of different theoretical approaches on how Utopian thinking leads to media innovation (e. g. Zielinski, Huhtamo, Parikka, Daniels), we aim to place the work of Van Gogh TV in a framework of theories of media development. For that purpose, we are also making plans for three conferences with international scholars and experts.Taking advantage of the unique collaboration between a university and a School of Applied Art, the material will also be the basis for an exhibition, a film documentary and a website that will present our research to an audience beyond academia.

该项目的目标是研究梵高电视的开创性作品，这是一个黑客和艺术家的集体，他们在20世纪90年代初创建了开创性的在线交流平台。通过像Piazza Virtuale这样的项目，他们对1992年的纪录片做出了贡献，他们为Facebook或Twitter等当代社交媒体的协作和交流可能性提供了蓝图。他们试图利用互联网出现之前可用的技术工具，创建一种协作媒体实践，一个多对多的网络，旨在成为传统大众媒体模式的替代。这种媒体实践包括在德国、奥地利和日本的电视台每晚定期播放节目，使用传真、慢速扫描电视和公告牌服务(BBS)。为了创造这种类型的沟通情况，该组织必须制造自己的设备和编写自己的软件，他们的许多发明都预见到了当今在线媒体、远程机器人和物联网的发展。然而，由于他们的庄园在过去20年里完全无法进入，他们的工作还没有进入先锋媒体项目的历史经典。该项目将使用四种方法来处理其主题。首先，集团的遗产必须做好长期保存的准备。超过2000个小时的模拟视频、虚拟广场的完整纸质文件和有关该项目的数字文件和电子邮件将被转移到长期存储媒体，并移交给卡塞尔的纪录片档案馆，在那里其他学者可以访问它们。第二，梵高电视的50多名参与者中的许多人将接受采访，以创建该项目的口述历史，将档案材料与背景联系起来。口述历史将以专著的形式出版，这将是对团体工作和新型媒体产生的理论研究的基础。梵高电视的全部作品是一个理想的主题，可以用来研究技术进步在成为现实之前的预期方式。对于乌托邦思维如何导致媒体创新，我们使用了许多不同的理论方法(例如齐林斯基、胡塔莫、帕里卡、丹尼尔斯)，我们的目标是将梵高电视的工作置于媒体发展理论的框架内。为此，我们还计划与国际学者和专家举行三次会议。利用一所大学和一所应用艺术学院的独特合作，这些材料还将作为展览、电影纪录片和网站的基础，向学术界以外的观众展示我们的研究。