FOR 2767: Imaginarien der Kraft

FOR 2767：权力的想象

• 批准号: 392750726
• 金额: --
• 依托单位: Kunstgeschichtliches Seminar
• 依托单位国家: 德国
• 项目类别: Advanced Studies Centres in SSH
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/392750726?language=en
• 关键词: 2767; Imaginarien; der; Kraft

Hardly any field of cultural reflection can do without conceptualizations of power: Conceptions of religious or magical (power of creation, magic power), human (vis animae, motive power, will power), political (kratos, potestas, power, dominion, charisma), physical (gravity, force of attraction, energy), biological (procreative force, vital force, educational force), physiological (muscular force, perceptual force), or socioeconomic (labor force, purchasing power) forces point to the dominance as well as the plasticity of the concept of force and its derivatives. Since ancient poetics and rhetoric, handed down through the art and poetry teachings of the early modern period, the arts in particular have reflected their performance profile remarkably often in reference to the doctrines of force (creative power, imagination, movere). It is all the more astonishing that the transitions and adoptions between natural, cultural, and art-scientific uses of the concept of force have hardly been systematically investigated. The KFG "Imaginaria of Force" brings together a variety of disciplinary approaches to concepts of force and force-related terms in order to explore their formation and transformation in the arts. Together with internationally renowned fellows from various disciplines, the applicants of the first funding phase, Frank Fehrenbach (art history), Matthias Glaubrecht (biology/history of science), and Cornelia Zumbusch (German studies), have spent the past four years investigating the modes of representation that have emerged historically to capture forces that are themselves intangible. The starting point was the observation that the word 'force' (Greek dynamis, Latin potentia) denotes the ability to exert effects, but that forces themselves cannot be perceived, but can only be read indirectly from their effects. The arts and the reflections on them, so the leading thesis, form a privileged place for the examination of the sensual presence effects of nonsensual forces, whereby through these medializations also scientific concepts experience modifications. The results of this fruitful dialogue between art, literature, and natural sciences will be used by the new team of speakers (Fehrenbach/Zumbusch) in the second funding phase for concentrated research on aesthetic forces in order to investigate (1) their affinity to the non-quantifiable forces of the numinous, (2) their relationship to non-European models of force, and (3) contemporary creative, artistic, and literary engagements with practices of energy production.

几乎任何文化反思领域都离不开权力的概念化：宗教或魔法的概念（创造的力量，魔法的力量），人类（维斯animae，motive power，will power），政治的（kratos，potestas，power，自治领，charisma），物理的（重力，吸引力，能量），生物（生殖力，生命力，教育力），生理的（肌肉力量、知觉力量）或社会经济（劳动力、购买力）力的概念指向力概念及其衍生物的支配性和可塑性。自古代诗学和修辞学以来，通过现代早期的艺术和诗歌教学流传下来，艺术特别反映了他们的表现轮廓，经常提到力量的学说（创造力，想象力，移动）。更令人惊讶的是，力的概念在自然、文化和艺术科学用途之间的转换和采用几乎没有被系统地研究过。KFG“Imaginaria of Force”汇集了各种学科方法来探讨力的概念和与力相关的术语，以探索它们在艺术中的形成和转变。 与来自各个学科的国际知名研究员一起，第一阶段资助的申请人，弗兰克·费巴赫（艺术史），马蒂亚斯·格劳布雷希特（生物学/科学史）和科尔内利亚·赞布施（德国研究），在过去的四年里一直在调查历史上出现的代表性模式，以捕捉本身无形的力量。出发点是观察到“力”（希腊语dynamis，拉丁语potentia）一词表示施加效果的能力，但力本身不能被感知，而只能从其效果中间接解读。艺术和对艺术的反思，以及主导性的论题，为考察非感官力量的感官在场效应提供了一个有利的场所，通过这些中介作用，科学概念也经历了变化。这场艺术、文学、自然科学之间富有成果的对话的成果将被新的演讲团队所利用（Feiberbach/Zumbusch）在第二个资助阶段集中研究美学力量，以调查（1）它们与不可量化的超自然力量的亲和力，（2）它们与非欧洲力量模型的关系，以及（3）当代创意，艺术，以及与能源生产实践的文学接触。