材料の革新をもとにした用途開発とプロトタイプ開発による新たな設計手法の研究

这项研究引起了“东京坠落实验室2018”的兴趣，并被选为在东京大学展出(2018/05/12)。该项目引起了不同学科和研究单位的注意，实现了建立跨学科方法和网络的目标。我应北京BIT的邀请，分享了关于设计方法和作用的共同研究兴趣，并举办了两次研讨会(2018/06/18~21)。一篇题为《作为创意写作的设计材料》的论文已被《创意写作研究杂志》的特刊《作为创意写作的创意制作》录取。我应邀披露了我在L.Vanvitelli大学(2018年11月)、威尼斯IUAV大学(2018年11月)和罗马拉萨皮恩扎大学(12018/11/19~23)的调查情况，并在那里举办了一次研讨会。我被邀请担任NEXUS国际研究会议和米兰萨基档案馆辩论的主席(2018/12/01)。意大利国家研究中心IPCB研究所接待了我，让我进行了一项关于聚氨酯泡沫塑料的实验活动。通过与化学家的对话和辩论(2018年11月和2019年3月)，我建立了一种关于材料研究的原创跨学科方法，并制作了一些文物。我应一位中国商人的邀请，在这些实验的基础上创建了一个特定地点的项目，我计划在明年6月与四川大学化学研究人员合作实现这个项目。所有有形的成果将在2019年11月/12月我任期结束时在东京的一个展览上展示。

The research obtained interest from the "Tokyo Falling Labs 2018" and was selected to be presented at Tokyo University (2018/05/12). The project reached the attention of different disciplines and research units achieving its goal of building an interdisciplinary approach and network. I was invited by the BIT of Beijing for sharing communal research interests on methods and role of Design and to hold two seminars (2018/06/18～21). A paper, titled “Design Materiality as Creative Writing”, has been accepted for the Special Issue “Creative making as creative writing” by the Journal of Creative Writing Studies. I was invited to disclose my investigation at University L. Vanvitelli (2018/11/08), at IUAV University of Venice (2018/11/15) and at La Sapienza University of Rome where I also held a workshop (12018/11/19 ～ 23). I was invited as chair person at NEXUS, International Research Meeting and debate at Archivio Sacchi in Milan (2018/12/01). The IPCB, Institute of the Italian National Research Center, hosted me to carry on an experimental activity on Polyurethane foams. I set up an original interdisciplinary approach about materials research and made some artifacts as a result of a dialogue and debate with chemists (November 2018 and March 2019). I was invited by a Chinese businessman to create a site-specific project based on these experiments and I planned to realize it in collaboration with researchers in Chemistry of the Sichuan University on next June 2019. All the tangible outputs will be showed in an exhibition in Tokyo at the end of my tenure, in Nov./Dec. 2019.