Anti-classicisms in the cinquecento

二十世纪的反古典主义

• 批准号: 398229063
• 负责人: Professor Dr. Marc Föcking
• 金额: --
• 依托单位: Romanisches Seminar
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2018
• 资助国家: 德国
• 起止时间: 2017-12-31 至 2022-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/398229063?language=en
• 关键词: Anti; classicisms; cinquecento

Italian literature in the sixteenth century is subject to and reflects on pluralization, but it cannot be said to embrace pluralism or relativism in the modern sense. Its tendency to authorize writers, texts and systems of poetics taken from - predominantly, but not exclusively - classical antiquity engenders a normative dynamics often referred to by the simplifying term renaissance classicism. This tendency is, however, manifold and should really be referred to by the plural renaissance classicisms, depending on which classical or vernacular models are being authorized and in which literary genre. Correspondingly, the various tendencies to destabilize or to subvert or contradict these manifold and historically dynamic classicisms need to be distinguished as so many anticlassicisms, in order to avoid unifying their scope and intentions in an unhistorical and uncritical manner. The project proposed by German and Austrian cinquecento specialists seeks to differentiate and analyse these anticlassicisms as to their scope (on a scale between radical poetological dissension to merely sectorial opposition in a given literary genre) and to their alternative models, be they authors or texts, as well as the degree of difference or erosion with respect to their classicist counterparts, ranging from implicit system disturbances to open, intended antagonism, with a view to establishing an overall picture of this field of phenomena for the first time.

16世纪的意大利文学是对多元化的服从和反思，但并不能说它拥抱了现代意义上的多元化或相对主义。它倾向于认可主要但不完全来自古典古代的作家、文本和诗学体系，这产生了一种规范性的动态，通常被简化为文艺复兴时期的古典主义。然而，这种趋势是多方面的，应该真正被复数文艺复兴古典主义所指，这取决于哪种古典或本土模式被授权，以及哪种文学体裁。相应地，为了避免以一种非历史的、非批判的方式统一它们的范围和意图，需要把动摇、颠覆或抵触这些多种多样的、历史上动态的古典主义的各种倾向作为许多反古典主义加以区分。由德国和奥地利的五重奏专家提出的项目试图区分和分析这些反古典主义的范围（在一个尺度上，从激进的诗学分歧到特定文学体裁中仅仅是部门性的反对）和他们的替代模式，无论是作者还是文本，以及与古典主义同行的差异或侵蚀程度，从隐含的系统干扰到开放，这是一种有意的对抗，目的是第一次对这一领域的现象有一个全面的了解。