Connoisseurship. The history and the methodical redefining of drawing research based on the Dutch collection of the Klassik Stiftung Weimar

鉴赏力。

• 批准号: 398348379
• 负责人: Professor Dr. Oliver Hahn
• 金额: --
• 依托单位: Bundesanstalt für Materialforschung und -prüfung (BAM)
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2018
• 资助国家: 德国
• 起止时间: 2017-12-31 至 2021-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/398348379?language=en
• 关键词: Connoisseurship.; history; methodical; redefining; drawing

The research project "Connoiseurship Today" has set itself the goal of placing style-critical dealings with Old Master drawings involving innovative material-scientific, non-destructive methods of investigation on a new, methodologically solid foundation. Under investigation will be the stock of Dutch drawings possessed by the Klassik Stiftung Weimar, whose extent (1,500 sheets) and character make it one of the most important such collections outside the Netherlands.The initial proposal (8 August 2017) envisioned a working period of three years. All the work steps planned for the granted support period of two years were successfully completed. In addition, initial results were presented at specialized conferences and will be published in specialized publications.At the end of the approved period on 31 October 2020, all 1,531 drawings will be registered in a project databank and scientifically specified by artist, technique, dating, and motif. For about 500 drawings, an extensive scholarly commentary together with the digital reproduction of all the drawings, the identified watermarks (660 WMK), and the complete documentation of the results of the natural-scientific investigations will be included in the databank. In parallel, two segments of the stock (the Rembrandt and the transfer drawings) will be used as examples of the interplay between art-historical/expertise analysis and material-scientific investigation. Further, at the “science site Weimar”, the emergence of art-historical expertise was reconstructed for the time from 1770 to 1832 (Goethe’s death) and for the phase from 1832 to 1870. Part of the focus theme "science site Weimar" is also the study, based on examples, of the significance that the extensive partial collection of landscapes had for Goethe’s own theoretical dealings with the history of landscape art. This study, too, is completed.The proposed support period of a further year will realize the work steps that the initial proposal projected for the third year, thereby bringing the project "Expertise Today" to its complete end. According to the initial proposal, the topical fields still to be addressed are: 1. Art-historical commentary on ca. 1,000 drawings; 2. reconstruction of the science site Weimar for the third period of 1870 to 1914; 3. material-technical examination of the group of colorized drawings from 1750 to 1830 and the Momper/Bril/Breughel group; 4. production of a criteria catalog for determining paper qualities; and 5. reconstruction of the collection of drawings that served as a presentation collection for Goethe’s own literary production. The project will be concluded in August 2021 with the conference "Kennerschaft heute: Die Hermeneutik des digitalen Bildes"/"Expertise Today: The Hermeneutics of the Digital Picture".

研究项目“今天的Connoiseurship”已经为自己设定了一个目标，即在一个新的、方法论上坚实的基础上，对涉及创新材料科学、非破坏性调查方法的旧大师绘画进行风格批判。调查对象是魏玛古典基金会（Klassik Stiftung）收藏的荷兰绘画，其规模（1，500张）和特色使其成为荷兰以外最重要的此类收藏之一。最初的提案（2017年8月8日）设想工作期为三年。计划在两年的资助期内完成的所有工作步骤都已顺利完成。此外，初步成果将在专业会议上进行展示，并将在专业出版物上发表。在2020年10月31日批准期结束时，所有1，531幅图纸将在项目数据库中登记，并按艺术家，技术，日期和主题进行科学指定。对于大约500幅图纸，数据库中将包括广泛的学术评论以及所有图纸的数字复制，已识别的水印（660 WMK）以及自然科学调查结果的完整文档。同时，两个部分的股票（伦勃朗和转让图纸）将被用作艺术历史/专业知识分析和材料科学调查之间的相互作用的例子。此外，在“科学网站魏玛”，艺术史专业知识的出现是重建的时间从1770年至1832年（歌德的死亡）和1832年至1870年的阶段。重点主题“科学遗址魏玛”的一部分也是研究，基于实例，广泛的部分收集的风景对歌德自己的理论处理与景观艺术史的意义。这项研究，也完成了。建议的支持期为一年，将实现最初的建议预计的第三年的工作步骤，从而使“今日专业知识”项目圆满结束。根据最初的建议，仍需解决的专题领域是：1。艺术史评论。1 000张图纸; 2.重建科学网站魏玛的第三期1870年至1914年; 3. 1750年至1830年彩色图纸组和Momper/Bril/Breughel组的材料技术检查; 4.生产用于确定纸张质量的标准目录;以及5.重建了作为歌德自己的文学作品展示集的绘画集。该项目将于2021年8月以“Kennerschaft heute：Die Hermeneutik des digitalen Bildes”/“Expertise Today：The Hermeneutics of the Digital Picture”会议结束。