Connoisseurship. The history and the methodical redefining of drawing research based on the Dutch collection of the Klassik Stiftung Weimar

鉴赏力。

• 批准号: 398348379
• 负责人: Professor Dr. Oliver Hahn
• 金额: --
• 依托单位: Bundesanstalt für Materialforschung und -prüfung (BAM)
• 依托单位国家: 德国
• 项目类别: Research Grants
• 财政年份: 2018
• 资助国家: 德国
• 起止时间: 2017-12-31 至 2021-12-31
• 项目状态: 已结题
• 来源: https://gepris.dfg.de/gepris/projekt/398348379?language=en
• 关键词: Connoisseurship.; history; methodical; redefining; drawing

The research project "Connoiseurship Today" has set itself the goal of placing style-critical dealings with Old Master drawings involving innovative material-scientific, non-destructive methods of investigation on a new, methodologically solid foundation. Under investigation will be the stock of Dutch drawings possessed by the Klassik Stiftung Weimar, whose extent (1,500 sheets) and character make it one of the most important such collections outside the Netherlands.The initial proposal (8 August 2017) envisioned a working period of three years. All the work steps planned for the granted support period of two years were successfully completed. In addition, initial results were presented at specialized conferences and will be published in specialized publications.At the end of the approved period on 31 October 2020, all 1,531 drawings will be registered in a project databank and scientifically specified by artist, technique, dating, and motif. For about 500 drawings, an extensive scholarly commentary together with the digital reproduction of all the drawings, the identified watermarks (660 WMK), and the complete documentation of the results of the natural-scientific investigations will be included in the databank. In parallel, two segments of the stock (the Rembrandt and the transfer drawings) will be used as examples of the interplay between art-historical/expertise analysis and material-scientific investigation. Further, at the “science site Weimar”, the emergence of art-historical expertise was reconstructed for the time from 1770 to 1832 (Goethe’s death) and for the phase from 1832 to 1870. Part of the focus theme "science site Weimar" is also the study, based on examples, of the significance that the extensive partial collection of landscapes had for Goethe’s own theoretical dealings with the history of landscape art. This study, too, is completed.The proposed support period of a further year will realize the work steps that the initial proposal projected for the third year, thereby bringing the project "Expertise Today" to its complete end. According to the initial proposal, the topical fields still to be addressed are: 1. Art-historical commentary on ca. 1,000 drawings; 2. reconstruction of the science site Weimar for the third period of 1870 to 1914; 3. material-technical examination of the group of colorized drawings from 1750 to 1830 and the Momper/Bril/Breughel group; 4. production of a criteria catalog for determining paper qualities; and 5. reconstruction of the collection of drawings that served as a presentation collection for Goethe’s own literary production. The project will be concluded in August 2021 with the conference "Kennerschaft heute: Die Hermeneutik des digitalen Bildes"/"Expertise Today: The Hermeneutics of the Digital Picture".

“今日鉴赏家”的研究项目为自己设定了一个目标，即在新的、方法论上坚实的基础上，采用创新的材料科学、非破坏性的调查方法，对早期大师的绘画进行风格关键的处理。接受调查的将是魏玛古典基金会（Klassik Stiftung Weimar）拥有的一批荷兰绘画，其规模（1500张）和特点使其成为荷兰境外最重要的此类收藏之一。最初的提案（2017年8月8日）设想了一个为期三年的工作期。为给予支助的两年期间计划的所有工作步骤都已圆满完成。此外，初步结果已在专门会议上提出，并将在专门出版物上发表。在2020年10月31日批准期结束时，所有1531幅图纸将在项目数据库中注册，并按艺术家、技术、日期和主题进行科学指定。对于大约500张图纸，一个广泛的学术评论，连同所有图纸的数字复制，已识别的水印（660 WMK），以及自然科学调查结果的完整文件将包括在数据库中。与此同时，两部分藏品（伦勃朗的画作和转印画作）将被用作艺术史/专业知识分析与材料科学调查之间相互作用的例子。此外，在“魏玛科学遗址”，艺术历史专家的出现被重建为1770年至1832年（歌德去世）和1832年至1870年的阶段。重点主题“科学遗址魏玛”的一部分，也是基于实例的研究，广泛的部分景观收藏对歌德自己与景观艺术史的理论处理的意义。这项研究也已经完成。提议的再延长一年的支持期将实现最初提议在第三年预测的工作步骤，从而使“今日专业知识”项目圆满结束。根据最初的提案，仍然需要解决的主题领域是：1。约1000幅绘画的艺术史评论；2. 第三期（1870年至1914年）重建魏玛科学基地；3. 对1750年至1830年的彩绘组和蒙珀/布里尔/勃鲁盖尔组的材料技术检查；4. 制定确定纸张质量的标准目录；和5。作为歌德自己的文学作品的展示集的绘画收藏的重建。该项目将于2021年8月在“Kennerschaft heute: Die Hermeneutik des digitalbildes”/“今天的专业知识：数字图像的解释学”会议上结束。