Artifacts of the Avant-Gardes 1885–2015

“先锋艺术作品1885-2015”项目从边缘探索了欧洲前卫艺术的历史：自mallarm<s:1>以来，这些非凡的纸工艺品是“前卫艺术中的先锋”的独特之处，但尚未受到广泛的关注。他们目前以数字和模拟手段的混合媒体形式以及当代文学中的文本和图像组合的形式回归，要求对历史和当代材料进行全面的调查。因此，该项目旨在检查、分析并提供对其历史和系统背景下的文物的访问。对这些物品的研究提供了对先锋派写作的特定风格和技巧的描述，以及对特定文物与文学的美学、诗歌、历史和政治维度进行谈判的方式的详细重建。当前对数字媒体形式的前卫技术的兴趣为反思创新写作风格的特定历史特征提供了新的途径。该项目分为三个子项目：(1)mallarmims论文作品，也包括翻译和转换，(2)PDF和按需印刷的混合出版策略，以及(3)在物质性和数字化之间摇摆的算法架构的工件。该项目结合了文学、书籍和媒体研究、材料理论以及面向对象和行动学研究的方法。它旨在为提供和讨论“先锋派的先锋派”的历史和当代作品提供实质性的贡献。

The project "Artifacts of the Avant-garde 1885-2015" explores the history of European avant-gardes from their margins: the extraordinary paper artifacts which are distinctive for the ‘avant-garde of the avant-garde’ since Mallarmé, but have not yet received extensive critical attention. Their current return in hybrid media forms employing both digital and analog means as well as in text and image combinations in contemporary literature asks for comprehensive investigation of both the historic and the contemporary material. The project therefore aims to inspect, analyze and provide access to the artifacts in their historical and systematic contexts. The examination of these objects offers descriptions of specific styles and techniques of avant-garde writing as well as detailed reconstructions of the way particular artifacts negotiate the aesthetic, poetological, historical, and political dimensions of literature. The current interest for avant-garde techniques in digital media forms provides new ways of reflecting on the particular historical signatures of innovative styles of writing. The project is divided into three subprojects: (1) Mallarmés paper works, also in translations and transformations, (2) strategies for publication with hybrids of PDF and print-on-demand, and (3) artifacts with algorithmic architecture that oscillate between materiality and digitality. The project combines approaches from literary and from book and media studies, from material theory as well as from object-oriented and praxeological research. It seeks to provide a substantial contribution to the provision and discussion of historic and contemporary works of the ‘avant-gardes of the avant-garde’.