Soundscape of feast and the aesthetic consciousness of folk - a case-study on the autumn-feast of the Hachiman Shinto-shrine in Kutani / Hyogo Prefecture -

宴席音景与民间审美意识——以兵库县九谷市八幡神社秋祭为例——

• 批准号: 06451013
• 负责人: MABUCHI Usaburo
• 金额: $ 0.26万
• 依托单位: Osaka Univiersity of Arts
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for General Scientific Research (B)
• 财政年份: 1994
• 资助国家: 日本
• 起止时间: 1994 至 1995
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-06451013/
• 关键词: Atmosphere of feast; Soundscape; Symbol-sound; Form in time; Structure of tradition; サウンドスケープ; 社寺祭礼; イヴェント複合の比較; 風流系踊り; ラバン記譜法

This project tries to apply the conception of soundscape to the analysis and to the description of the extraordinary mood of feast and to develop a new research method for traditional performing arts by folk. The entire atmosphere of the feast is felt only by the ear, but visually never, because the feast has such various programs as the portable shrines, the sacred tree, the float of the sacred halberd, two groups of dancers and still more, which proceed through all village streets and visit all the doors of habitants. Each program goes, indeed, concurrently in different places of the village all day long on the 15th September. We recorded the sounds of the village in certain places and on certain clock times of the different months as materials of everyday soundscape. On the contrary, the sounds of the feast were taken up at a central point of the village and nine hours long uninterruptedly. We find that event in time 1) develops itself on some balance of dynamics, eventually including silent durations and 2) has a symbol-sound, here the sound of drums accompanying the dances, which functions as a kind of ground, heard all day long, though off and on with breaks. This symbol-sound gave beginning and ending to the duration of the feast ; the dynamics of the festive sound wrought formative. This plastic formation of the festive atmosphere in Kutani was only possible by the appreciation by the local folk of the traditional performing arts, various preparatory cooperation including the dance-lessons given to boys by adults, the community-consciousness, etc.

本项目试图运用音景的概念来分析和描述盛宴的非凡意境，为民间传统表演艺术发展一种新的研究方法。整个盛宴的气氛只能用耳朵来感受，而视觉却感受不到，因为盛宴有神轿、神树、神戟花车、两组舞者等各种节目，贯穿村里的每条街道，走遍每户居民的家门。事实上，9 月 15 日这一天，每个节目都会在村里的不同地方同时进行。我们在不同月份的特定地点和特定时钟时间记录了村庄的声音，作为日常音景的材料。相反，宴会的声音在村庄的中心点响起，长达九个小时不间断。我们发现时间中的事件1）在动态的某种平衡上发展，最终包括无声的持续时间，2）有一种象征声音，这里是伴随舞蹈的鼓声，它起到一种地面的作用，整天都能听到，尽管时断时续。这种象征性的声音给盛宴的持续时间带来了开始和结束。节日声音的动态形成了。九谷的节日气氛的可塑性形成是通过当地民间对传统表演艺术的欣赏、各种准备合作（包括成人给男孩上舞蹈课）、社区意识等来实现的。