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Sonic culture of Okinawa as seen from outside : A comparative study in perspectives from inside and outside

从外部看冲绳的声音文化：内部和外部视角的比较研究

基本信息

批准号：
09410018
负责人：
YAMAGUTI Osamu
金额：
$ 6.53万
依托单位：
Osaka University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
1997
资助国家：
日本
起止时间：
1997 至 2000
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-09410018/
关键词：
Sounds of Okinawa Musics of Okinawa Performing arts of mainland Japan chinese music Vietnamese music percussive sounds string sounds applicative culturology ウチナーノピップス日本本土の芸能南中国音楽ベトナム音楽身体打奏ウチナーポップス福建音楽日本本島の芸能ウチナ-ポップス

项目摘要

The primary objective of this study is to explore into macrocosmic perspectives for hereby proposed "applicative culturology" by way of observing the musics and sonic culture of Okinawa mainly in viewpoints from outside. Furthermore, it has a secondary objective to raise questions to society at large as to raison d'etre of academia through : 1) researches in sonic culture of Okinawa and its surrounding geographical areas whether nearby or distant ; 2) researches in percussion and string instruments ; 3) understanding the variety of vocal expression ; and 4) comparison of the results of these researches with the other research activities obtained prior to and/or in parallel with this particular grant-in-aid study.Concretely speaking, the past and present of the sonic world and variety of musical expressions of Okinawa have been compared with those of the adjacent or even distant neigbours (such as the mainland Japan, the Korean peninsular, southern China, Oceania and Australia. An important conclusion may be that the world of the string and percussion instruments was the basics for their humanity and musicality as is the case with other cultures ; however, the minute details may be of more importance.

本研究的主要目的，是以外在的观点来观察冲绳的音乐与声音文化，以探讨此一“应用文化学”的宏观观点。此外，第二个目的是通过以下方式向社会提出学术存在的理由：1）研究冲绳及其周边地区的声音文化，无论是附近还是遥远的地区; 2）研究打击乐器和弦乐器; 3）了解声音表达的多样性;以及4）将这些研究的结果与在这项资助研究之前和/或同时进行的其他研究活动的结果进行比较。具体而言，本文将冲绳的声音世界的过去和现在以及音乐表现的多样性与邻近甚至遥远的近邻（如日本大陆、朝鲜半岛、中国南部、大洋洲和澳大利亚）进行了比较。一个重要的结论可能是，弦乐器和打击乐器的世界是他们的人性和音乐性的基础，就像其他文化一样;然而，细节可能更重要。