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Yuefu and Yuefu Poetry in the Six Dynasties

六朝乐府及乐府诗

基本信息

批准号：
14310203
负责人：
KAMATANI Takeshi
金额：
$ 5.31万
依托单位：
Kobe University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2002
资助国家：
日本
起止时间：
2002 至 2004
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-14310203/
关键词：
YUE-FU COURT MUSIC FOLK MUSIC SONG-SHU 制度

项目摘要

Song-Shu Yue-Zhi is the most basic and important literature, when we make a study of the system of the music and poetry in the Six Dynasties. A detailed note was made about it by this research, the fixed book which is trustworthy, and current Japanese translation. It was divided in the history of successive music systems, both the nature and the history of the court music, the kind and the characteristic of the folk music, and the kind of the instrument, and the illustrations were appended and used for a help of understanding, if it was supposed to be necessary. The mistake of the revised edition by Zhong-Hua Shu-Ju at Beijing was corrected, and some parts that couldn't be interpreted by the usual annotated edition could be cleared.The researeh of the legendary wizards in Yue-fu poetry, the theory of Yue-fu literature, the poets' viewpoint in Tang Dynasty for Yue-fu poetry, the investigation of the poems written by intellectuals to imitate the old Yue-fu poetry and the collection of the related materials to Yue-fu poetry were made at the same time. The various points of these results became clear as follows : the performance form and recognition to Yue-fu poetry have changed greatly in the East Jin Dynasty, the reconstruction of the court music and the revival of Yue-fu poetry have raised awareness of prosodic quality, the word "song" "Voice" concerned with Yue-fu did not necessarily mean an instrumental piece, but a method of singing.

《宋书乐志》是研究六朝乐诗制度最基本、最重要的文献。本研究通过对该书的研究、可靠的定编以及现行的日文翻译，对该书进行了详细的注释。它被划分在连续的音乐系统的历史中，包括宫廷音乐的性质和历史，民间音乐的种类和特点，以及乐器的种类，如果有必要的话，插图被附加和用于帮助理解。对《乐府诗》中的传奇巫师、乐府文学理论、唐代诗人对乐府诗的看法等问题进行了探讨，并对《乐府诗》中的传奇巫师、乐府文学理论、唐代诗人对乐府诗的看法等问题进行了探讨，对《乐府诗》中的传奇巫师、乐府文学理论、唐代诗人对乐府诗的看法等问题进行了澄清，对《乐府诗》中的传奇巫师、乐府文学理论、唐代诗人对乐府诗的看法等问题进行了探讨，对《乐府诗》中的传奇巫师、乐府文学理论、唐代诗人对乐府诗的看法等问题进行了探讨。同时对文人拟旧乐府诗进行了调查，并收集了与乐府诗有关的资料。这些研究结果的不同点在于：东晋时期对乐府诗的表现形式和认识发生了很大的变化，宫廷音乐的重建和乐府诗的复兴提高了人们对韵律质量的认识，与乐府有关的“歌”“声”并不一定是指器乐作品，而是指一种演唱方法。