Theoretical Approaches in Comparative Cultural Studies on the "Media Upheavals" of the Early 20^<th> Century in Japan
Theoretical Approaches in Comparative Cultural Studies on the "Media Upheavals" of the Early 20^<th> Century in Japan
批准号:
14310215
负责人:
IZUMI Masato
金额:
$6.4万
依托单位:
依托单位国家:
日本
项目类别:
Grant-in-Aid for Scientific Research (B)
财政年份:
2002
资助国家:
日本
项目状态:
已结题
起止时间:
2002 至 2004
中文摘要
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英文摘要
This program was conducted as one of the international joint research projects between Keio University and the Media Esthetic Research Center of Siegen University in Germany. The final objective of this international joint research project has been stated as follows : "Research on media culture and media esthetics during the time of transition in the early 20^<th> through the 21^<st> century". Thus with the completion of this program the first part of the final objective of the scheme has been achieved.The outlines of our research are reflected in the following two official reports of this project : "Avant-Garde Media : Media of Philosophical Anthropology" and "Team Kurosawa, Track and Trace of the Symposium". The former carries theses on avant-garde media and philosophical anthropology of the media, and the latter contains some corroborative evidences based on the picture analyses of Kurosawa's film from the viewpoint of picture media esthetics. In addition to the work stated above, "Media Avant-Garde, Media Anthropology, Regulations and Transgressions of Places" (written in German, 2005) co-edited by Siegen University and Keio University published in Germany, and "Akira Kurosawa and His Era" (written in German, 2005) edited by Siegen University published in Germany can also be recognized as a successful result of this project.This research didn't quite get to invent the regulative pattern in a decisive way, that played a big role behind the various historical scenes, on how the European media technology and the European ideology (that functioned as the media itself) got acculturized and japanized by the Japanese in the early 20^<th> century. Nonetheless we are proud of having demonstrated certain results by means of evidential analyses. We are convinced that more esthetical, social, ideological analyses on the media effect in the transition period from the 20^<th> to the 21^<st> century will be accomplished based on these results in the near future.
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メディア身体のアヴァンギャルド--ゲオルク・フックスが観た川上音二郎・貞奴の「日本演劇」とマグダレーヌ・G.の催眠ダンス
媒体机构的前卫:乔治·福克斯(Georg Fuchs)的川上乙次郎(Otojiro Kawakami)的“日本戏剧”和萨达科(Sadakko)以及玛格达琳·G.(Magdalene G.)的催眠舞蹈
DOI:
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发表时间:
2005
期刊:
本件科研費成果報告論文集 (未定)
影响因子:
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作者:
[平田 栄一朗]
通讯作者:
平田 栄一朗
前田 富士男(編): "コンステレーションとしての造形-1930年のクレーとアルプ"伝統と象徴-美術史のマトリックス(沖積舎刊). 139-166 (2003)
Fujio Maeda(编辑):“星座的形成 - 1930 年的克利和阿尔普”传统与符号 - 艺术史矩阵(冲社出版社)139-166(2003 年)。
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前田 富士男(口頭発表): "表現主義美術のトポロジー-欲望との距離"「人と欲望」シンポジウム、日本学術会議哲学系、東京・日本学術会議. (2003)
前田富士夫(口头报告):“表现主义艺术的拓扑——与欲望的距离”“人与欲望”研讨会,日本科学委员会哲学部,东京,日本科学委员会(2003年)。
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和泉雅人: "フリードリヒ『テッチェンの祭壇画』"慶応義塾大学独文学研究室「研究年報」. 20(未定). (2003)
泉雅人:《弗里德里希的塔斯陈祭坛画》庆应义塾大学德国文学实验室“研究年度报告”(待定)。
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D・ホール, 前田富士夫(訳): "パウル・クレー"西村書店. 126 (2002)
D. Hall,Fujio Maeda(译者):“Paul Klee”西村书店 126(2002)。
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