Digitization of Musical Performance and Construction of Contents System based on Action Analysis

音乐表演及其动作和周围环境可以通过视频或动作捕捉系统直接和非描述性地记录下来，并从表演者和空间设计师的角度进行分析。用这种方法分析西方音乐中的管弦乐、独奏、打击乐器、日本音乐中的Kanze风格的No theater，并建立和测试教育项目。将结果编辑成信息内容，并构建门户网站。第一年，从建筑的角度出发，用多角度录像系统对学生乐团的演出进行记录和分析。第二年，表演空间：大学礼堂进行了声学改善，并以第一年的输出为基础建立了一个计划，并在改进后进行了专业乐团的第二次演出录制。从第一年的推测结果来看，学生的注意力、凝视点、姿势、手部动作、呼吸等的重要性得到了验证。针对这些因素，介绍了普通文本的“快速阅读”方法，并运用溶剂学知识对其进行了重构。通过这个过程，基本的“球员身体反射的溶蚀法”就准备好了。在第三年，在这些结果的背景下，为非职业球员提供的教育计划被建立和测试。整个排练过程被存档和分析。介绍了一种“无标记动作捕捉系统”，并对整个真实表演进行了全程存档。澄清了表演者自身误用身体影响表演质量、造成身体障碍的事实，强调了预防医疗的重要性。在随后的研究中，总结了对通用仪器使用者进行社会教育的必要性和重要性，以合理的身体运动来使用通用仪器，而不是通过日常习惯来伤害自己的身体。少

Musical performance, its action and surrounding circumstances can be recorded by video-gram or motion capture system, directly and non-descriptively and be analyzed from performers and space-designer's point of view. Orchestra music, solfage, percussion instruments in western music, and No theater in Kanze style in Japanese music is analyzed by such method and education programs are build and tested. The results are edited into information contents and portal sites are constructed. In the first year, from architectural point of view, student orchestra's performance is recorded and analyzed by multi-angular video-gram system. In the second year, the performing space : university auditorium had acoustic improvement and a plan is build with the output of first year, and second performance recording by professional orchestra had held after the improvement. From the outcome of first year's speculations, the importance of student's attention, gazing points, posture, hand movements and breath … More es are verified. In relation to these factors, the method of "Rapid reading" for ordinary text is introduced and re-build with the knowledge of solfage. With this process, basic "solfage method for players body reflection" is prepared. In the third year, with the background of these outcomes, education program available for non-professional players is build and tested. The whole rehearsal process is archived and analyzed. Also a system of "Marker-less motion-capture System" is introduced and through-out archiving of whole the real performances are undergone. Those facts that miss-uses of body by performers themselves eliminate the quality of the performance and cause physical disorder are clarified, and the importance of preventive medical care is emphasized. Necessity and importance for possible social education system for the users of general instruments, to use them with rational physical motion, and not to do harm for their own body through everyday custom, at the succeeding researches, are concluded. Less