The Sculptures of the West Portal of Cluny III and the Moutiers-Saint-Jean Workshop

这两个克吕尼（索恩-卢瓦尔），最强大的母修道院的克吕尼命令，和Moutiers-Saint-Jean（科特-多尔），其中一个女儿修道院的克吕尼，被摧毁后，法国大革命。本研究的目的是：1）考察现藏于福格博物馆的穆蒂耶尔-圣让的叙事柱头和叶状柱头的雕塑风格（哈佛大学）、卢浮宫博物馆和第戎戎考古博物馆，（2）将穆蒂耶尔柱头与奥谢和法里尼耶博物馆中的柱头以及科南特从二号坑和十号坑挖掘出的克吕尼三号坑西入口的许多雕塑碎片进行比较。仔细的风格和技术观察可以得出这样的结论，即穆蒂耶尔的一些雕塑家也负责克吕尼三世的西门雕塑，并且根据穆蒂耶尔的日期1125-1130，克吕尼三世的西门可能比广泛接受的1115年稍晚。

Both Cluny (Saone-et-Loire), the most powerful mother monastery of the Cluniac Order, and Moutiers-Saint-Jean (Cote-d'Or), one of the daughter monasteries of Cluny, were destroyed after the French Revolution. Today their extant Romanesque sculptures are housed in various museums in France and U.S.A. The purposes of this study are 1)to examine the sculptural styles of the narrative and foliate capitals from Moutiers-Saint-Jean, now in the Fogg Museum (Harvard University), the Louvre Museum, and the Archeological Museum of Dijon, and 2)to compare the Moutiers capitals with capitals in the Ochier and Farinier Museums as well as with the many sculptural fragments from the west portal of Cluny III that were excavated from Pit II and Pit X by K.J.Conant. Careful stylistic and technical observation leads one to the conclusion that some of the sculptors of Moutiers were also responsible for the west portal sculptures of Cluny III, and that, on the basis of the Moutiers' date of 1125-1130, the west portal of Cluny III could have been constructed slightly later than the widely accepted date of 1115.