The research from the base of modern Japanese painting - the territorial society of artists and the environment of art works

日本现代绘画的基础研究——艺术家的地域社会与艺术作品的环境

• 批准号: 15520102
• 负责人: TANAKA Atsushi
• 金额: $ 1.86万
• 依托单位: Independent Administrative Institution National Institutes for Cultural Heritage Tokyo National Research Institute for Cultural Properties
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2003
• 资助国家: 日本
• 起止时间: 2003 至 2005
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-15520102/
• 关键词: Art history; KURODA Seiki; AOKI Shigeru; YORODO Tetsugoro; KOGA Harue; SAKAMOTO Hanjiro; MATSUMOTO Shunsuke; 日本近代美術; 基層

As for the Japanese history of arts research of former modern times, the modelling supreme principle which designates the talking and the western modern fine arts which so far center Europe and Tokyo as the model was the center.As for purpose of this research, the modern Japanese artists have, it is related depth of their respective native places and to make variety clear. Because of that, from the below-mentioned three points of view, you considered.1 artists are, "the place" and to body the expression2 artist and the area edge3 artist and the religion feeling which are convertedIn this research, there being the above-mentioned point of view, it picked up 5 artists of KURODA Seiki, Aoki Shigeru, YORODU Tetsugoro, KOGA Harue and SAKAMOTO Hanjiro on the center.Concerning these artists, there is accumulation of suitable research already, at today also the positioning which includes the appraisal in modern times history of arts almost has become fixed. On the one hand, fine investigation is continued in each area, knowing so far it was not, many facts are made clear.This research, while integrating with the former research result and the research result of each area, is the artist, and basic research in order to establish the new methodology for work research.

至于日本艺术研究的前现代研究，建模的最高原则指定了迄今为止欧洲和东京的讲话和西方现代艺术，这是该模型的中心。作为这项研究的目的，现代日本艺术家拥有的是相关的深度，与他们各自的土著地点相关，并使品种变得清晰。 Because of that, from the below-mentioned three points of view, you considered.1 artists are, "the place" and to body the expression2 artist and the area edge3 artist and the religion feeling which are convertedIn this research, there being the above-mentioned point of view, it picked up 5 artists of KURODA Seiki, Aoki Shigeru, YORODU Tetsugoro, KOGA Harue and SAKAMOTO Hanjiro on the在这些艺术家中，已经积累了适当的研究，今天的位置包括现代艺术史上的评估几乎已经固定了。一方面，每个领域都在进行良好的调查，知道到目前为止的事实并没有明确，这项研究与以前的研究结果相结合，并且每个领域的研究结果是艺术家和基础研究，以建立新的工作研究方法。

项目成果

Gaka ga iru basho (The Place of a Painter)

Gaka ga iru basho（画家的地方）

• 发表时间: 2005
• 作者: 加藤尚武 編;伊東多佳子;他;イエルク・トレーガー(翻訳);田中淳;TANAKA Atsushi
• 通讯作者: TANAKA Atsushi

画家がいる「場所」-近代日本美術の基層から

画家所在的“地方”——来自日本现代艺术的基础

• 发表时间: 2005
• 作者: 加藤尚武 編;伊東多佳子;他;イエルク・トレーガー(翻訳);田中淳;TANAKA Atsushi;永井隆則;田中淳
• 通讯作者: 田中淳

画家がいる場所-近代日本美術の基層から

画家在哪里：从日本现代艺术的基础来看

• 发表时间: 2005
• 作者: 加藤尚武 編;伊東多佳子;他;イエルク・トレーガー(翻訳);田中淳
• 通讯作者: 田中淳