The research from the base of modern Japanese painting - the territorial society of artists and the environment of art works

就日本前近代美术史研究而言，以迄今为止以欧洲和东京为中心的西方现代美术为范本，所指的造型最高原则是中心，就本研究的目的而言，日本近代艺术家们，是为了弄清各自的籍贯的深度和多样性。因此，从以下三个角度来考虑：1、艺术家是“场所”与身体表现2、艺术家与地域边缘3、艺术家与宗教情感的转换。在本研究中，正是基于上述观点，选取了黑田精机、青木茂、四路哲郎、古贺贺春枝和坂本半次郎五位艺术家作为研究对象。已有相当的研究积累，在今天也几乎将评价纳入近现代艺术史的定位已成定局。一方面，在各个领域继续进行细致的调查，了解到目前为止还没有，很多事实都被弄清楚了，这项研究在整合前人的研究成果和各个领域的研究成果的同时，也是艺术家的、基础性的研究，目的是为作品研究建立新的方法论。

As for the Japanese history of arts research of former modern times, the modelling supreme principle which designates the talking and the western modern fine arts which so far center Europe and Tokyo as the model was the center.As for purpose of this research, the modern Japanese artists have, it is related depth of their respective native places and to make variety clear. Because of that, from the below-mentioned three points of view, you considered.1 artists are, "the place" and to body the expression2 artist and the area edge3 artist and the religion feeling which are convertedIn this research, there being the above-mentioned point of view, it picked up 5 artists of KURODA Seiki, Aoki Shigeru, YORODU Tetsugoro, KOGA Harue and SAKAMOTO Hanjiro on the center.Concerning these artists, there is accumulation of suitable research already, at today also the positioning which includes the appraisal in modern times history of arts almost has become fixed. On the one hand, fine investigation is continued in each area, knowing so far it was not, many facts are made clear.This research, while integrating with the former research result and the research result of each area, is the artist, and basic research in order to establish the new methodology for work research.