The research from the base of modern Japanese painting - the territorial society of artists and the environment of art works

就日本前近代美术史研究而言，以迄今为止以欧洲和东京为中心的西方现代美术为中心的造型至上原则是中心。就本次研究的目的而言，日本现代艺术家们都有，这是对各自故乡的相关深度和多样性的明确。正因为如此，从下面提到的三个角度，你考虑。艺术家是“场所”与身体的表达艺术家与地域边缘的艺术家与宗教情感的转换。基于上述观点，本研究选取了黑田精树、青木茂、约津哲五郎、古贺春叶和坂本半二郎5位艺术家为中心。对于这些艺术家，已有了相应研究的积累，在今天，包括现代艺术史上的评价在内的定位也几乎已经确定。一方面，在各个地区继续进行细致的调查，虽然到目前为止还没有，但许多事实已经清楚。本研究在整合以往的研究成果和各领域的研究成果的同时，对艺术家、艺术家、艺术家进行基础性研究，以建立新的作品研究方法论。

As for the Japanese history of arts research of former modern times, the modelling supreme principle which designates the talking and the western modern fine arts which so far center Europe and Tokyo as the model was the center.As for purpose of this research, the modern Japanese artists have, it is related depth of their respective native places and to make variety clear. Because of that, from the below-mentioned three points of view, you considered.1 artists are, "the place" and to body the expression2 artist and the area edge3 artist and the religion feeling which are convertedIn this research, there being the above-mentioned point of view, it picked up 5 artists of KURODA Seiki, Aoki Shigeru, YORODU Tetsugoro, KOGA Harue and SAKAMOTO Hanjiro on the center.Concerning these artists, there is accumulation of suitable research already, at today also the positioning which includes the appraisal in modern times history of arts almost has become fixed. On the one hand, fine investigation is continued in each area, knowing so far it was not, many facts are made clear.This research, while integrating with the former research result and the research result of each area, is the artist, and basic research in order to establish the new methodology for work research.