The research from the base of modern Japanese painting - the territorial society of artists and the environment of art works

对于前现代日本美术史的研究，以迄今为止以欧洲和东京为中心的西方现代美术为范本的造型至上原则为中心。就本研究的目的而言，现代日本艺术家具有各自本土的相关深度和明晰变化。正因为如此，从上述三个角度来看，你认为1、艺术家是“场所”，体现了被转换的表现力、区域边缘艺术家和宗教情感。在本研究中，有了上述观点，选取了黑田精机、青木茂鲁、哲五郎、古贺春来和坂本汉次郎5位艺术家为中心。对于这些艺术家，已经有了合适的研究积累，在今天也几乎包括了现代艺术史上的评价的定位。一方面，在每个领域都在继续进行精细的调查，知道到目前为止并不是这样，许多事实都得到了澄清。本研究在结合前人的研究成果和各个领域的研究成果的同时，是艺术家，是基础研究，以建立作品研究的新方法论。

As for the Japanese history of arts research of former modern times, the modelling supreme principle which designates the talking and the western modern fine arts which so far center Europe and Tokyo as the model was the center.As for purpose of this research, the modern Japanese artists have, it is related depth of their respective native places and to make variety clear. Because of that, from the below-mentioned three points of view, you considered.1 artists are, "the place" and to body the expression2 artist and the area edge3 artist and the religion feeling which are convertedIn this research, there being the above-mentioned point of view, it picked up 5 artists of KURODA Seiki, Aoki Shigeru, YORODU Tetsugoro, KOGA Harue and SAKAMOTO Hanjiro on the center.Concerning these artists, there is accumulation of suitable research already, at today also the positioning which includes the appraisal in modern times history of arts almost has become fixed. On the one hand, fine investigation is continued in each area, knowing so far it was not, many facts are made clear.This research, while integrating with the former research result and the research result of each area, is the artist, and basic research in order to establish the new methodology for work research.