Comparative Studies on the Representations of Body in Japanese and Chinese Films

a，在国内外学术会议上作报告。应研究员在2006年8月（北京）东亚文学中的战争与记忆研讨会上发表《战争、情节剧与女性的表现：对“春江东流”的再思考》；在2006年10月（札幌）日本汉学学会学术会议上发表《情节剧、受伤的身体、革命：以“双胞胎姐妹”和“南海长城”为焦点》。（二）为研究项目召开会议2006年3月，我们在北海道大学召开了“跨界机构：日本和中国电影”会议，我们的国内外合作研究者在会上做了四次报告。它们是：《偏离的身体与历史性：齐藤雅的《头饰清子与高胺秀子》；《动员的身体：二战时期日本电影中的身体政治》；《创伤记忆与女性身体的再现：潘若坚的《当代中国电影》；《鬼/身体》。通过对成濑美治郎、张彻等作者的研究，以及对情节片、武侠片、宣传片等电影类型的研究，对日本和中国电影中的身体表征问题以及电影身体问题进行了历史和理论的考察和分析。特别是以电影物质性为中心的对电影主体的考察，以及对电影中的受虐模式的分析，对20世纪70年代以后的电影理论进行了修正。

a, making presentations at congresses domestic and abroadHead investigator Ying presented War, Melodrama, and the Representations of Women: a Reconsideration of 'Spring River Flows East' at the conference The War and the Memories in East Asian Literature August 2006(Beijing), and Melodrama, Wounded Bodies, Revolution: Focusing on 'Twin Sisters' and 'Nanhai Changcheng' at the Congress of the Sinological Society of Japan October 2006(Sapporo, Japan).b, Holding conference for the research projectWe held a conference titled Trans-border Bodies: Japanese and Chinese Movies in March 2006 at Hokkaido University, at which four presentations were made by our cooperating investigators domestic and abroad.They were Deviating Bodies and the Historicality: Focusing upon tiara Setuko and Takamine Hideko by Saito Aya, Mobilized Bodies: the Body Politics in Japanese Cinema in World War II by Anni, Traumatic Memories and the Representations of Women's Body: on Some Current Chinese Movies by Pan Ruojian, and Ghost/Body: Kurosawa Akira's 'Kairo' by Kawasaki Kouhei.c, promoting the research project and collecting the research resultsBy our studying on Mikiro Naruse, Zhang Che and other authors, and also on film genres such as melodrama, martial arts film, propaganda movie and so on, the problem of the representations of bodies, and that of the cinematic body in Japanese and Chinese films have been historically and theoretically examined and analyzed. Especially our examination into the cinematic body focused on the materiality of cinema, and our analysis of masochistic model in cinema, have made a try to revise the film theory after 1970s.