Potentialities of Classicist Theories of Painting : The Receptions and Transformations of Early-Modem Views on Painting, especially concerning Ch.A. Dufresnoy's De Arte Grafica

古典主义绘画理论的潜力:早期现代绘画观的接受和转变,特别是关于Ch.A.

基本信息

项目摘要

This research has aimed at investigating the development and receptions of theories of painting chiefly in France and England from the late seventeenth to the early eighteenth century. The main focus of the research is Ch.A. Dufresnoy's Latin poem, De Arte Grafica(On the Art of Painting,).Dufresnoy's poem, published in France, 1688, was probably the most widely read text on painting in Europe from the seventeenth in the nineteenth century, representing a n orthodox view (naturally there appeared various translations of it at the time in several languages). However, not necessarily many previous studies have been dedicated to the interpretation of its original texts and to its receptions throughout Europe.This research, therefore, has first concentrated on a basic philological study on De Arte Grafica, at the same time investigating the receptions of its doctrines throughout Europe, especially in England.Next, I have interpreted and translated into Japanese with detailed notes a closely … More related book, Cours de peinture par principes (Discourses on the Principles of Painting), published in 1708 by an important French critic, Roger de Piles, who had freely translated Dufresnoy's poem into French with many long notes of his own exploiting the original text's potentialities for the purpose of expatiating on his 'colourist' and 'Rubenist' theories (as opposed to the 'dissinist' and 'Poussinist'). De Piles' book is important not only as a cardinal text at the time, but also as a precursor of the modernist view of painting, partially anticipating pre-Romanticism and even Impressionism. The book has not yet been translated into Japanese, and hopefully its translation will provide a basic material for further researches.Lastly, the research has expanded itself to investigations of 'civic humanist' theories of painting in England with a view to comparing it with French ones : namely, treatises by Shaftesbury, George Turnbull and Jonathan Richardson have been chiefly investigated.As a result, this research has successfully provided most basic materials for studies on the theories of painting of the period. Less
本研究旨在考察世纪末至十八世纪初绘画理论在法国和英国的发展和接受情况。研究的主要焦点是Ch.A.杜弗列诺伊的拉丁诗,De Arte Grafica(论绘画艺术)。杜弗列诺伊的诗,在法国出版,1688年,可能是最广泛阅读的文本绘画在欧洲从十七到十九世纪,代表了一个n正统的观点(自然有出现在几种语言的时间,它的各种翻译)。然而,前人对《美术》的文本解读及其在欧洲的接受情况的研究并不多见。因此,本文首先对《美术》进行了基本的文献学研究,同时考察了《美术》在欧洲尤其是英国的接受情况。其次,笔者对《美术》的文本进行了详细的注释和翻译,并对《美术》在欧洲的接受情况进行了细致的分析。最后,笔者对《美术》的文本进行了翻译,并对《美术》在欧洲的接受情况进行了详细的分析。最后,笔者对《美术》在欧洲的接受情况进行了研究,并对《美术》在欧洲的接受情况进行了分析 ...更多信息 一本相关的书,Cours de peinture par principes(关于绘画原理的论述),出版于1708年,由一位重要的法国评论家Roger de Piles出版,他自由地将Dufresnoy的诗翻译成法语,并有许多他自己的长注释,利用原文的潜力,阐述他的“colorist”和“Rubenist”理论(相对于“dissinist”和“Poussinist”)。德·皮尔斯的书不仅是当时的重要文本,也是现代主义绘画观的先驱,部分地预见了前浪漫主义甚至印象派。本书目前尚未翻译成日文,希望它的翻译能为进一步的研究提供基础材料。最后,本研究还扩展到对英国“公民人文主义”绘画理论的研究,以期与法国的绘画理论进行比较:主要考察了沙夫茨伯里、乔治特恩布尔和乔纳森理查森的论著,结果表明,这一研究为研究这一时期的绘画理论提供了最基本的资料。少

项目成果

期刊论文数量(103)
专著数量(0)
科研奖励数量(0)
会议论文数量(0)
专利数量(0)
Herrmann Gottschewski(ed.), Perspectives of Thinking
Herrmann Gottschewski(主编),《思维视角》
書評:本村凌二『多神教と一神教』
书评:本村良二《多神论与一神论》
  • DOI:
  • 发表时间:
    2006
  • 期刊:
  • 影响因子:
    0
  • 作者:
    Kikuchi;Akira(ed.);Shin-ichi ANZAI;宇佐美斉(編);Shin-ichi ANZAI;宇佐美斉編;Shin-ichi ANZAI;菊地 暁(編);安西信一;菊地暁;安西信一;安西信一;安西信一
  • 通讯作者:
    安西信一
arts.'Grand Tour', 'Garden', 'Morris', 'Pope', 'Ruskin'
arts.Grand Tour、Garden、Morris、Pope、Ruskin
De Bolla, Leask and Simpson (eds.), Land, Nation and Culture, 1740-1840
De Bolla、Leask 和 Simpson(编辑),《土地、民族与文化,1740-1840 年》
  • DOI:
  • 发表时间:
    2005
  • 期刊:
  • 影响因子:
    0
  • 作者:
    吉永進一;野崎晃市;Shin-ichi ANZAI;Akira AKIYAMA;Akira AKIYAMA(秋山聰);Akira AKIYAMA;秋山聰;安西信一;秋山聰;安西信一;市川・梅垣等共著;安西信一
  • 通讯作者:
    安西信一
taste, gout, gusto, Geschmack : The Analogy between the Sensation of Taste and the Aesthetic Judgement
味觉、痛风、热情、Geschmack:味觉感觉与审美判断之间的类比
  • DOI:
  • 发表时间:
    2010
  • 期刊:
  • 影响因子:
    0
  • 作者:
    Akira AKIYAMA;Seiibutsu-sukei;Shin-ichi ANZAI;Shin-ichi ANZAI;Shin-ichi ANZAI;Shin-ichi ANZAI;Shin-ichi Anzai;安西信一;安西信一;安西信一;安西信一;安西信一;安西信一;安西信一;Shin-ichi ANZAI;Shin-ichi ANZAI;安西信一;安西信一;安西信一;Shin-ichi ANZAI
  • 通讯作者:
    Shin-ichi ANZAI
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ANZAI Shin-ichi其他文献

ANZAI Shin-ichi的其他文献

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{{ truncateString('ANZAI Shin-ichi', 18)}}的其他基金

Research upon the English Tradition in the Aesthetic Environmental Design Thought
英国传统审美环境设计思想研究
  • 批准号:
    12610057
  • 财政年份:
    2000
  • 资助金额:
    $ 2.05万
  • 项目类别:
    Grant-in-Aid for Scientific Research (C)

相似海外基金

The Range of French Classicist Painting Theory with a Focus on Roger de Piles
以罗杰·德·皮尔斯为中心的法国古典主义绘画理论范围
  • 批准号:
    23K18634
  • 财政年份:
    2023
  • 资助金额:
    $ 2.05万
  • 项目类别:
    Grant-in-Aid for Research Activity Start-up
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