Collation of The Peony Pavilion

《牡丹亭》整理

• 批准号: 16520211
• 负责人: NEGAYAMA Tohru
• 金额: $ 1.28万
• 依托单位: Yamaguchi University
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2004
• 资助国家: 日本
• 起止时间: 2004 至 2006
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/en/grant/KAKENHI-PROJECT-16520211/
• 关键词: a history of modern Chinese drama; The Peony Pavilion; Tang Hsien-tsu; collation; Ming version; Ch`ing version; musical notes; 中国近世演劇史; 牡丹亭還魂記

Having Collated the printed books of 20 types of The Peony Pavilion published in the Ming-Ch`ing periods, I have come to the following conclusion.1. The first group of The Peony Pavilion (Shih-lin-chu-shih k`e-pen 石林居士刻本・Chu-yuan-chen chiao-k`e-pen 朱元鎮校刻本) published in the Ming period is a block printed edition which retains most faithfully the original form.2. Later in time, the second group (Wen-lin-ke k`e-pen 文林閣刻本・Chu-mo t`ao-yin-pen 朱墨套印本), a revised version based on "Nan-ch`u ch`uan-p`u 南曲全譜" by Shen Jing 沈〓 was used as another type of edition.3. The second group, however, goes no further than being partly followed in the collateral third group (Tz`u-t`an shuang-yen pen 詞壇双艶本・P`u-shui-chai chiao-k`e-pen 蒲水斎校刻本) during the period of T`iench`i 天啓-Ch`ungchen 崇禎.4. Finally, the fourth group, a revised and enlarged edition (Liu-lang-kuan k`e-pen 柳浪館刻本・Ch`ing-hui-ke p`rtien-pen 清暉閣批点本・An-ya-t`ang k`e-pen 安雅堂刻本・Tu-shen-chu tien-ting-pen 独深居点定本・Chi-ku-ke k`e-pen 汲古閣刻本・Chang Hung-i Chu-t`an k`e-pen 張弘毅著壇刻本・Chu-lin-t`ang chi-k`e-pen 竹林堂輯刻本), was completed. This edition basically depends on the first group, while partially adopting the second and the third group. The fourth group intends to return to the original text written by T`ang Hsien-tsu 湯顕祖, the second and the third groups having been screened in the process of the times.5. The main current of using the fourth group as a standard edition is also confirmed by the fact that the fifth group (San-fu he-p`ing-pen 三婦合評本・Chieh-tzu-yuan k`e-pen 芥子園刻本・Ts`ai-tzu Mu-tan t`ing 才子牡丹亭・Ping-ssu-kuan k`e-pen 米糸館刻本), prevailed in the Ch`ing period, is based on the fourth group. The musical notes of the fifth group (Ke-cheng tzu-tiao-pen 格正詞調本・Yin-hsiang-t`ang ch`u-p`u-pen 吟香堂曲譜本・Na-shu-ying ch`uan-p`u-pen 納書楹全譜本) are also based on the fourth group.

我整理了明清时期出版的20种牡丹亭的印刷书籍，得出以下结论：1.1.明代出版的第一批《牡丹亭》(石林初石k`e-石林居士刻本·楚园-陈乔k`e-朱元鎮校刻本)是最忠实地保留原形的雕版印刷本。后来，第二组(文林科k`e-笔文林閣刻本·初末t`傲音-笔朱墨套印本)被用作另一种类型的版本，它是由沈静南曲全譜的《南出初-普`沈〓》修订的版本。然而，第二组只不过是在次要第三组(Tz`u-tan S爽-yen-Yen PEN詞壇双艶本·P`u-water-chai Chiao-k`e-PEN蒲水斎校刻本)中被部分跟踪。最后，第四组，修订和扩大版(六郎宽k`电子笔柳浪館刻本·清惠科p`rtien-pen清暉閣批点本·安雅-tang k`e-pen安雅堂刻本·图深初添廷笔独深居点定本·奇库克k`e-pen汲古閣刻本·常洪-i Chu-t`an k`e-pen張弘毅著壇刻本·楚林-tang‘ang chi-k`e-Pen竹林堂輯刻本)完成。这个版本基本上依赖于第一组，但部分采用了第二组和第三组。第四组打算回到Tang Hsiantsu湯顕祖写的原文，第二组和第三组在时代进程中经过筛选。清代盛行的第五代电子笔三婦合評本·节子源k`e-笔芥子園刻本·Ts‘ai-Tzu-Mu-tan ting才子牡丹亭·Ping-SSU-Kuan k`e-PEN米糸館刻本，也印证了以第四代为标准版本的主流。第五组的音符(柯成子跳笔格正詞調本·阴香堂吟香堂曲譜本·纳淑英川·音笔納書楹全譜本)也是以第四组为基础。