Literary Journalism in the Cold War: Affective Structures of Transperipheral Solidarity in Thought-Images between Ryszard Kapuściński and Gabriel García Márquez

在我的项目中，我想探索Ryszard Kapuściński和Gabriel García Márquez的文学新闻文本的审美-文化和政治内容，并为冷战时期文学新闻的诗学比较研究做出贡献。关于拉丁美洲关于该地区编年史(作为一种特殊的文学新闻体裁)历史的研究辩论，我的跨文化方法可以作为跨历史文学研究的起点。我还想把拉丁美洲文字文化的‘原始体裁’，或者仅仅是术语的连续性或体裁的话语功能，扩展到东欧语境，并对不断变化的纠葛和潜在的联系建立一种微妙和动态的理解。我的项目的主要目的是a)将报告文学/编年史概念化为一种体裁，促进两个不同社区之间的跨周边交流，从而建立一个新的文学共同体，以及b)阐述体裁类型学和美学方法论之间的联系，并重新定义这部文学在冷战政治和社会语境下的文学和伦理有效性。我想以两位作家的文本为基础，阐述迄今未被探索的美学和智力结构以及文学关系网络，并对冷战两极分化的世界跨国语境下的边缘文学团结的交织历史和美学做出新的解释。这两位作者被视为调停者，在翻译意义的过程中，允许多产和不可预测的想象力跨越一座“银桥”(昆德拉2015,104)，连接“西方的两端；两块被忽视、蔑视、被遗弃的土地，两块被遗弃的土地”(Ibidem)。我将拉丁美洲和东欧这两个西方的边缘概念化，认为在这些空间中，特定的历史条件塑造了当地文学新闻的发展。

In my project, I would like to explore the aesthetic-cultural and political content of literary-journalistic texts of Ryszard Kapuściński and Gabriel García Márquez, and contribute to the comparative study of the poetics of of Cold War literary journalism. With regard to the Latin American research debate on the history of the chronicle in the region (as a particular genre of literary journalism), my cross-cultural approach can serve as a starting point for transhistorical literary studies. I would also like to extend the questions of whether it is the 'proto-genre' of written culture in Latin America, or whether it is only about the continuity of the term or a discursive function of the genre, to the Eastern European context and create a nuanced and dynamic understanding of changing entanglements and potential connections.The main aims of my project are a) to conceptualize reportage/chronicle as a genre that facilitates transperipheral communication between two different communities and thus establishes a new literary community, and b) to elaborate a link between the genre-typological and the aesthetic-methodological approach and to redefine the literary and ethical validity of this literature in and beyond the political and social context of the Cold War.Based on the texts of the two authors, I would like to elaborate the hitherto unexplored aesthetic and intellectual structures and networks of literary relations and shed new light on the interwoven history and aesthetics of peripheral literary solidarities in the transnational context of the world polarised by the Cold War. The two authors are seen as mediators who, in the process of translating meaning, allow productive and unpredictable imaginaries to flow across a "silvery bridge" (Kundera 2015, 104), connecting "two edges of the West located at its opposite ends; two neglected, disdained, abandoned lands, two pariah lands" (ibidem). I conceptualize the two edges of the West, Latin America and Eastern Europe, as spaces in which particular historical conditions have shaped the local development of literary journalism.