Melancholy of Resistance. The History of Performance Art in the Real Socialist Countries of Europe

抵抗的忧郁。

• 批准号: 498466080
• 负责人: Privatdozent Dr. Adam Czirak
• 金额: --
• 依托单位: Institut für Theaterwissenschaft
• 依托单位国家: 德国
• 项目类别: Publication Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/498466080?language=en
• 关键词: Melancholy; Resistance.; History; Performance; Art

My habilitation makes documents of Eastern European performance art accessible, some of which are unpublished or is going to be published for the first time in a bundled and contextualized form. Although performance art has played an important role in exhibition practice and art historiography over the last two decades, the relevant exhibitions have lacked a view of the artistic scenes of the former 'Eastern Bloc', and the Western-influenced (but globally understood) scholarly canon of this art form has also ignored the work of Eastern and Southeastern European performance artists. Against this background, the monograph aims on the one hand to make partially still 'untouched' image and text material of censored performances visible for the first time, thus providing an insight into numerous remarkable but hitherto unknown artistic positions of the European neo-avant-garde (1960s-1980s). On the other hand, these works, which have so far been neglected by researchers, are contextualized in terms of art and cultural history and analyzed and commented on in terms of their political and subversive dimensions.

《我的适格》使东欧行为艺术的文档变得可访问，其中一些文档尚未出版，或者将首次以捆绑和情景的形式出版。尽管行为艺术在过去20年里在展览实践和艺术史学中发挥了重要作用，但相关展览缺乏对前东方集团艺术场景的看法，这种艺术形式的学术经典也忽视了东欧和东南欧行为艺术家的作品。在这一背景下，这本专著一方面旨在使部分静止的被审查的表演的图像和文本材料首次可见，从而提供对欧洲新先锋派(20世纪60年代至80年代)众多引人注目但迄今不为人知的艺术地位的洞察。另一方面，这些迄今被研究者忽视的作品被放在艺术史和文化史的语境中，并从其政治性和颠覆性维度进行分析和评论。