Melancholy of Resistance. The History of Performance Art in the Real Socialist Countries of Europe

我的康复使东欧行为艺术的文件可以访问，其中一些尚未出版或将以捆绑和情境化的形式首次出版。尽管行为艺术在过去二十年中在展览实践和艺术史中发挥了重要作用，但相关的展览缺乏对前“东方集团”艺术场景的看法，而且这种艺术形式的西方影响（但全球理解）学术经典也忽视了东欧和东南欧行为艺术家的作品。在这样的背景下，本专著的目的一方面是首次将被审查的表演中部分静止的“未被触碰”的图像和文本材料呈现出来，从而提供了对欧洲新前卫艺术（1960 -1980年代）众多卓越但迄今为止未知的艺术立场的洞察。另一方面，这些迄今为止被研究者所忽视的作品，从艺术和文化史的角度进行语境化，并从其政治和颠覆性的维度进行分析和评论。

My habilitation makes documents of Eastern European performance art accessible, some of which are unpublished or is going to be published for the first time in a bundled and contextualized form. Although performance art has played an important role in exhibition practice and art historiography over the last two decades, the relevant exhibitions have lacked a view of the artistic scenes of the former 'Eastern Bloc', and the Western-influenced (but globally understood) scholarly canon of this art form has also ignored the work of Eastern and Southeastern European performance artists. Against this background, the monograph aims on the one hand to make partially still 'untouched' image and text material of censored performances visible for the first time, thus providing an insight into numerous remarkable but hitherto unknown artistic positions of the European neo-avant-garde (1960s-1980s). On the other hand, these works, which have so far been neglected by researchers, are contextualized in terms of art and cultural history and analyzed and commented on in terms of their political and subversive dimensions.