Paul Gerhardt (1607–1676). Critical, annotated hybrid edition of all lyrica

保罗·格哈特 (1607â1676)。

• 批准号: 507060552
• 负责人: Professorin Dr. Stefanie Arend
• 金额: --
• 依托单位: Institut für Kirchen- und Dogmengeschichte (IKD)
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/507060552?language=en
• 关键词: Paul; Gerhardt; 1607; 1676; Critical

Paul Gerhardt (1607–1676) is one of the most fruitful authors of the Baroque Age. In the seventeenth century, no other sacred poet in the German language area has had such an enduring and profound impact. Ever since their inclusion in church services among various Christian confessions – through congregational hymns and in the tradition of sacred musical performances – many of Gerhardt’s hymns became and remain still today the most well-known texts of all Baroque authors.Gerhardt research, to which belong the disciplines of literature, music history, hymnology, and historical theology, has been very active. No other early-modern hymnwriter, aside from Martin Luther and Johann Rist, has been so thoroughly studied as Gerhardt. Therefore, it is all the more pressing that there is still no edition of Paul Gerhardt that even partially meets the current philological and editorial standards. Filling this glaring lacuna leading up to the 350th year of Gerhardt’s death (2026) should be seen as a top priority of the interdisciplinary community of early-modern research.The goal of the project is, in two volumes, to produce a comprehensive, critical, and annotated hybrid-edition of Gerhard’s complete poems (German and Latin) including the music texts in their original settings. During the first phase of funding that is requested here, the first volume containing Gerhardt’s hymns will be prepared. A research team stands ready that pools together musical, theological, and editorial-philological expertise and already possesses years of experience working together on a similar project (edition of Johann Rist’s complete corpora of his sacred lyrical works) which was financed by the DFG in two funding phases.The edition will be made available in a printed version as well as in an electronic version through open access. The latter will provide users with a variety of additional resources (for example, links to electronically available sources and reference works, embedded facsimiles) and search capabilities. The Universitäts- und Landesbibliothek Darmstadt will see to the long-term storage of the digital edition as part of their digital library.

保罗·格哈特（1607-1676）是巴洛克时期最富有成果的作家之一。在十七世纪，德语区没有其他神圣诗人有过如此持久而深远的影响。自从葛哈德的许多赞美诗被纳入各种基督教信仰的礼拜仪式中--通过会众的赞美诗和神圣的音乐表演的传统--之后，它们就成为了所有巴洛克作家中最著名的文本，直到今天仍然如此。葛哈德的研究，包括文学、音乐史、赞美诗学和历史神学等学科，一直非常活跃。除了马丁·路德和约翰·里斯特之外，没有其他现代早期的赞美诗作者像格哈特那样被研究得如此透彻。因此，更迫切的是，仍然没有一个版本的保罗格哈特，甚至部分符合目前的语言学和编辑标准。在格哈德逝世350周年（2026年）之前，填补这一空白应该被视为早期现代研究跨学科社区的首要任务。该项目的目标是，在两卷中，制作一个全面的，批判的，并注释了格哈德完整诗歌（德语和拉丁语）的混合版本，包括原始背景的音乐文本。在第一阶段的资金，这是要求在这里，第一卷包含格哈特的赞美诗将准备。一个研究团队已经准备就绪，汇集了音乐，神学和编辑语言学方面的专业知识，并且已经拥有多年的经验，共同致力于一个类似的项目（约翰·里斯特神圣抒情作品全集的版本），该项目由DFG分两个阶段资助。该版本将通过开放获取提供印刷版和电子版。后者将向用户提供各种其他资源（例如，与电子来源和参考著作的链接、嵌入式传真）和搜索能力。达姆施塔特大学和地方图书馆将把数字版作为他们数字图书馆的一部分长期储存。