Scalable Reading of 18th Century "Collected Editions". The example of Friedrich von Hagedorn.

18 世纪“文集”的可扩展阅读。

• 批准号: 512277433
• 负责人: Professor Dr. Philip Ajouri
• 金额: --
• 依托单位: Abteilung Buchwissenschaft
• 依托单位国家: 德国
• 项目类别: Research Grants
• 资助国家: 德国
• 项目状态: 未结题
• 来源: https://gepris.dfg.de/gepris/projekt/512277433?language=en
• 关键词: Scalable; Reading; 18th; Century; Collected

The book type of Collected or Complete Editions as a collection of the "life's work" of an author is a central medium in the literary world. It is essential for the self-image of authors and has great significance for readers, publishers, and libraries. Last but not least, editions of works have a significant impact on the process of canonization of authors and works.It is therefore surprising that this type of book has been little researched and that not much is known beyond individual examples about the history of the ordering principles of texts within editions, their paratextual features, and how texts were selected and constituted. This research desideratum is to be remedied with a view to the 18th century, in which this type of book emerged in a farreaching way.The present "Sachbeihilfe" takes Friedrich von Hagedorn (1708-1754) as an example, an author of whom numerous editions of works and reprints of these editions were published in the 18th century. In terms of qualitative literary and book history the project will examine how editions of works were compiled, arranged, and reprinted in the course of the 18th century, with which paratexts they were equipped, and how they were prepared for certain markets and audiences. In addition, the practice of Hagedorn's "Verbesserungsästhetik" (Steffen Martus) will be empirically investigated. Since the number of editions of works and thus of volumes to be studied is too large for manual processing, methods of the Digital Humanities (Document Analysis, Text Reuse, Sequence Alignment) will be employed. Methodologically, this project aims to show which tools of the Digital Humanities can be used for the comparative research of editions of works. The interplay of both sides, the quantitative and the qualitative approach, is essential for the methodological and the content-related thrust of the project. Results will be recorded in two dissertsations, in the VD18 and in a collection of the Digital Library of the SUB Göttingen. DH tools will be made available on GitHub for reuse.

《全集》作为作者“一生作品”的集合，是文学世界的中心媒介。它对作者的自我形象至关重要，对读者、出版商和图书馆都有重要意义。最后但并非最不重要的是，作品的版本对作者和作品的经典化过程有着重要的影响，因此令人惊讶的是，对这类书籍的研究很少，除了个别例子之外，对版本中文本排序原则的历史、它们的副文本特征以及文本是如何被选择和构成的也知之甚少。这一研究的迫切需要是补救，以期在18世纪，这类书籍出现在一个深远的方式。目前的“Sachbeihilfe”采取弗里德里希冯哈格多恩（1708年至1754年）为例，作者的作品和这些版本的再版出版了许多版本在18世纪。在定性文学和图书史方面，该项目将研究作品的版本是如何在18世纪世纪编辑，安排和重印的，他们配备了哪些副文本，以及他们是如何为某些市场和观众准备的。此外，实践哈格多恩的“Verbesserungsästhetik”（斯特芬马尔图斯）将进行实证研究。由于作品的版本数量以及要研究的卷数太大，无法进行人工处理，因此将采用数字人文学的方法（文档分析，文本重用，序列比对）。在方法论上，本项目旨在展示数字人文学的哪些工具可以用于作品版本的比较研究。数量和质量两方面的相互作用对项目的方法和内容主旨至关重要。结果将被记录在两篇论文中，在VD18和哥廷根数字图书馆的集合中。DH工具将在GitHub上提供以供重用。