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Stylistic Studies on the Wall Paintings of the Ajanta Caves

阿旃陀石窟壁画的风格研究

基本信息

批准号：
08610063
负责人：
SADAKANE Keiji
金额：
$ 1.41万
依托单位：
Kyoto City University of Arts
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
1996
资助国家：
日本
起止时间：
1996 至 1998
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-08610063/
关键词：
India Ancient Times Wall Paintings Buddhism Cave Temples Narrative Paintings

项目摘要

The wall paintings in the Ajanta Caves can be classified into the early and the later ones in respect of their execution times. It has become clear that the former were executed in the middle of the 1st century A.D.under the rule of the Satavahana Dynasty, on the basis of comparison of various forms between them and relief sculptures. They show rather mature styles and techniques notwithstanding their early execution.The latter have large variety of styles, ranging from the classical to the mediaeval one. While it is certain that they began to be produced after the middle of the 5th century A.D., it is debatable how long they continued to be executed. An American scholar has zealously proposed a erratic short chronology of later wall paintings at Ajanta. and some others have stupidly accepted it. But it is undoubtedly wrong because their styles are too diverse to have been executed in a short period.As a result of the deliberate stylistic research, we have reached the conclusion that most of the Ajanta later wall paintings were produced until the middle of the 6th century A.D.at the latest, first under the Vakatakas and next under a local ruler of Asmaka. Some other peculiar murals depicting Buddha or stupa figures were probably appended to original ones for the sake of earning religious merits intermittently by the first half of 7th century A.D.under the Kalacuris.

阿旃陀石窟壁画按制作年代可分为早期壁画和晚期壁画。根据它们与浮雕的各种形式的比较，可以清楚地看出前者是在公元1世纪中叶Satavahana王朝统治下被处决的。尽管它们的制作时间较早，但它们的风格和技术已经相当成熟。后者的风格种类繁多，从古典风格到中世纪风格。虽然可以肯定的是，它们是在公元5世纪中期之后开始生产的，他们被处决的时间有多长是有争议的。一位美国学者热情地提出了一个不稳定的阿旃陀后期壁画的简短年表。但这无疑是错误的，因为他们的风格太多样化了，不可能在短时间内完成。经过精心的风格研究，我们得出结论，大多数阿旃陀后期壁画直到世纪中期才制作完成。A.D.at最新的，首先是在Vakatakas统治下，其次是在Asmaka当地统治者的统治下。其他一些描绘佛陀或佛塔人物的奇特壁画可能是在公元世纪上半叶的卡拉库里斯时期断断续续地附加到原始壁画上的，目的是为了获得宗教价值。