Constellation as the term in art

虽然“星座”这个概念在艺术学和美术史上都没有被考察过，但我们不能不把它看作是支撑一件现代艺术作品和一种具有“构图”和“构造”概念的制作理论(诗意)的重要手段。这一概念在19世纪末的记忆心理学和荣格1910年代的精神分析研究中确实获得了特殊的地位，但到了20世纪20年代末，它将被认为是关于重要范式的概念，批评家本雅明也将把这一概念作为方法论，汉斯·阿普和包豪斯的艺术家们将把它添加到当代制造理论的战线上。本文以汉斯·阿普为研究对象，对保罗·克莱1930年左右的创作活动进行了梳理，阐明了星座概念的内涵。编排星座是一种自我参照的过程，是一种以艺术意图和活动水平为参照的过程，从而使作品转向另一种过程，并对新的诗歌作品进行“重新开始”。这并不是对作品的否定，尽管这种重新开始是一种自我参照的行为，不同于创作或构造。它的出现、排列的转换，与其说是形态层面的变化，不如说是“蜕变”。我们阐述了科利的朋友洛特玛和塞尔茨的心理记忆理论，荣格心理学，以及包豪斯艺术家的塑料实验。

Although "constellation" is the concept which is not examined neither in science of arts nor in the history of fine arts, we cannot but regard it as the important device which supports a modern artwork and a making theory(poietique) with the concepts of "composition" and "construction". This concept did gain special positioning in the psychology involving the memory from the end of the 19th century, and Jung's psychoanalysis study of the 1910s, but late in the 1920s it will be recognized as the concept on important paradigm, and critic Benjamin will also use this concept as methodology, and Hans Arp and the artists of Bauhaus will add it to the battleline of contemporary making theory. In this article, the work activities about 1930 of Paul Klee are taken up with Hans Arp, and the meaning of constellation concept is clarified.Constellation as making arrangement is a procedure which limitizes in self-reference with the level of the artistic intention and activity which bring about aspectual conversion and aspectual formation, switches the process of the work till then to an another kind of process, and carries out "re-starting" to the new poietic work. It is not negation of work although such re-starting is a self-reference-act unlike composition or construction. It is exactly the emergence, arrangement conversion, called "metamorphosis" with the morphological level rather. We explicates the psychological memory theories of Fr.Lotmar, Klee's friend, and O.Selz, the Jung psychology, and the plastic experiments by the Bauhaus artists.