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The genealogy of the religious figures of speech in the tradition criticism and the tradition formation

传统批判与传统形成中宗教修辞格的谱系

基本信息

批准号：
12610530
负责人：
KAWANAGO Yoshitatsu
金额：
$ 1.6万
依托单位：
The University of Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2000
资助国家：
日本
起止时间：
2000 至 2003
项目状态：
已结题

来源：
https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-12610530/
关键词：
religion enlightenment tradition criticism image typology hymn Hamann 讃美歌形像

项目摘要

The purpose of the research was to pursue the tradition of the religious figure of speech in the German modern literature history. I pointed out the religious figure of speech concerned with the criticism, the maintenance and the formation of the tradition concretely, and described it from the viewpoint of genealogy. Usual history of literature does the one with the characteristics by the age classification of the classicism, the romanticism, the realism and the naturalism. But, I didn't take such a method. I took up the images that religion and tradition had been cultivated and then researched the styles which the images brought. By such a way I reexamined the outline of the history of literature until now and tried to present the new outline as a history of influences of metaphors. In order to search for the problem, I dealt the religious materials of the 17th and 18th century, which were not researched in Japan so far. Specially I chose hymnbooks and literatures such as autobiographies and doctrine documents. I made efforts to pick out religious metaphors in those books and to interpret them, and then I searched for the influences of the religious metaphors on the secular literatures from the viewpoint of the history of literature. So I cleared the problems of the poetry study from the 17th century till the 19th century by comparing the literatures of theology, philosophy, and the study of myth. I wrote the report of the research until now and it was newly published. In this report I dealt with the themes concerned with Luther, Hainann and modern literature and music. The problems of the New Testament and the tradition of the classical ancient times are also discussed there.

研究的目的是追寻德国现代文学史上宗教修辞的传统。具体指出了与传统的批判、维护和形成有关的宗教修辞格，并从谱系学的角度对其进行了描述。文学史以古典主义、浪漫主义、现实主义和自然主义的时代划分，是一部具有特色的文学史。但是，我没有采取这样的方法。我拿起宗教和传统已经培养的图像，然后研究图像带来的风格。通过这种方式，我重新审视了迄今为止的文学史大纲，并试图将新的文学史大纲呈现为一部隐喻影响的历史。为了探究这一问题，笔者对日本迄今尚未研究的17、18世纪世纪的宗教资料进行了整理。我特别选择了赞美诗和文学作品，如自传和教义文件。笔者试图从这些作品中挑出宗教隐喻并加以解读，从文学史的角度探寻宗教隐喻对世俗文学的影响。通过对神学、哲学和神话学文献的比较，理清了世纪至19世纪世纪诗歌研究中存在的问题。我写的研究报告直到现在，它是新出版的。在这份报告中，我讨论了与路德、海南和现代文学与音乐有关的主题。新约的问题和古典古代的传统也在那里讨论。