Representations of Self-Love in Blake's Composite Art

布莱克综合艺术中自爱的表现

• 批准号: 13610552
• 负责人: IMA-IZUMI Yoko
• 金额: $ 1.86万
• 依托单位: University of Tsukuba
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (C)
• 财政年份: 2001
• 资助国家: 日本
• 起止时间: 2001 至 2002
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-13610552/
• 关键词: Blake; self-love; composite art; body; spector; eighteenth-century; visual; verbal; イギリス; ディスコース; デジタル処理

Two years have been spent in examining the ways in which William Blake represented the idea of self-love in his poetry as well as in his visual art. Blake's visual art is conventionally examined independently of his verbal text, despite that the two mediums of art are inseparably combined in Blake's execution of art. Blake's poems that are actually interlined with illustrations, and I regard the two mediums of art as a form of composite art.In my analysis of Blake's composite art, I focus upon the key idea "self-love." Having clarified what he meant by that idea against the eighteenth-century understanding of it, I examined how the idea was visualized in Blake's works, especially in his later illuminated works. Deformed human bodies that appear in his works from time to time represent, as I have clarified, the false self, which is personified as a Blakean character called "specter" or an executor of self-love.I made use of digitized pictures that I made, with a computer program, from the facsimiles of Blake's illuminated works. The use of such digitized pictures was of great help for me to analyze details of fine prints by Blake.

我们花了两年的时间来研究威廉·布莱克在他的诗歌和视觉艺术中表现自爱观念的方式。尽管这两种艺术媒介在布莱克的艺术创作中密不可分地结合在一起，但布莱克的视觉艺术传统上是独立于他的口头文本进行审查的。布莱克的诗歌实际上是插有插图的，我将这两种艺术媒介视为一种复合艺术形式。在我对布莱克复合艺术的分析中，我关注的核心思想是“自爱”。在根据十八世纪的理解澄清了他所说的这个想法的含义后，我研究了这个想法是如何在布莱克的作品中形象化的，特别是在他后来的插图作品中。正如我已经澄清的那样，他的作品中时不时出现的变形人体代表了虚假的自我，它被拟人化为布莱克的“幽灵”角色或自爱的执行者。我使用了我用计算机程序从布莱克的彩绘作品的复制品中制作的数字化图片。这种数字化图片的使用对我分析布莱克精美版画的细节有很大帮助。

项目成果

Shoichi Matsushima, Hisao Ishizuka, Masashi Suzuki, Yoko Ima-Izumi, Hiroko Takahashi: "An Artist Transgressing , Reading Blake"Eiho-sha. 184 (2002)

松岛昭一、石冢久男、铃木正志、今泉洋子、高桥博子：“艺术家的越界，阅读布莱克”Eiho-sha。

松島正一, 石塚久郎, 鈴木雅之, 今泉容子, 高橋裕子: "越境する芸術家--現在(いま)、ブレイクを読む"英宝社(東京). 184 (2002)

松岛昭一、石冢久男、铃木雅之、今泉洋子、高桥优子：“跨界艺术家——阅读中断” Eihosha 184 (2002)。