European Print-publishing in the 16^<th> and 17^<th> Century and the reception of the Antiquity

我们的研究项目集中在16世纪和17世纪欧洲的版画是如何出版的，以及古代是如何在这种媒介中表现出来的。这是一个本质的大问题，我们的目的不过是概括一下总的情况。但由于几位不同领域的历史学家的合作，一个令人满意的草稿完成了。在对意大利、德国、荷兰和法国的问题进行一般性调查后，我们的报告中发表了每位调查人员的研究报告；佐藤的是关于杜勒和意大利版画，小福的是关于Hieronymus Cock作为印刷出版商的活动，Kanayama的是关于复古建筑的重建及其对巴洛克建筑的影响，Watanabe的是关于Zuccarelli绘画中古董雕塑的主题，栗田翻译并评论了17世纪法国学院关于拉奥孔的讲座。该报告由东京国立西方艺术博物馆的三位调查员策划的两个展览目录补充。它们是“明暗对照木刻”和“意大利文艺复兴版画”。

Our research project is focused on a problem how prints are published in the 16^<th> and 17^<th> century Europe and how the antiquity was represented in this medium. It is an essential and big problem, and our purpose is nothing but to sketch out the general situation. But as a result of cooperation of several historians of different field, a rough draft was done in a satisfactory way. In our reports after a presentation of a general survey of the problem in Italy, Germany, the Netherlands and France, each investigators' study are published; Sato's is on Durer and Italian prints, Kofuku's on Hieronymus Cock's activities as print publisher, Kanayama's on reconstruction of antic architecture and its influence on Baroque architecture, Watanabe's on a motif of antique sculpture in the painting by Zuccarelli, and Kurita translated and commented a lecture on Laocoon in the French academy in the 17th century. This reports is supplemented by two exhibition catalogues curated by three investigators of the National Museum of Western Art, Tokyo. They are "Chiaroscuro Woodcuts" and "Italian Renaissance Prints".