权益分类	功能权益	普通用户	{{item.name}}会员
{{category.name}}	{{benefitItem.name}}

European Print-publishing in the 16^<th> and 17^<th> Century and the reception of the Antiquity

16世纪和17世纪的欧洲印刷出版和对古代的接受

基本信息

批准号：
15320026
负责人：
KOFUKU Akira
金额：
$ 6.02万
依托单位：
Independent Administrative Institution National Museum of Art The National Museum of Western art, Tokyo
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (B)
财政年份：
2003
资助国家：
日本
起止时间：
2003 至 2006
项目状态：
已结题

项目摘要

Our research project is focused on a problem how prints are published in the 16^<th> and 17^<th> century Europe and how the antiquity was represented in this medium. It is an essential and big problem, and our purpose is nothing but to sketch out the general situation. But as a result of cooperation of several historians of different field, a rough draft was done in a satisfactory way. In our reports after a presentation of a general survey of the problem in Italy, Germany, the Netherlands and France, each investigators' study are published; Sato's is on Durer and Italian prints, Kofuku's on Hieronymus Cock's activities as print publisher, Kanayama's on reconstruction of antic architecture and its influence on Baroque architecture, Watanabe's on a motif of antique sculpture in the painting by Zuccarelli, and Kurita translated and commented a lecture on Laocoon in the French academy in the 17th century. This reports is supplemented by two exhibition catalogues curated by three investigators of the National Museum of Western Art, Tokyo. They are "Chiaroscuro Woodcuts" and "Italian Renaissance Prints".

我们的研究项目重点关注 16 世纪和 17 世纪欧洲印刷品如何出版以及古代如何在这种媒介中表现的问题。这是一个本质性的大问题，我们的目的无非是勾画出一个大概的情况。但经过几位不同领域的历史学家的合作，草稿还是令人满意地完成了。在我们的报告中，对意大利、德国、荷兰和法国的问题进行了全面调查后，公布了每位调查人员的研究成果；佐藤的关于丢勒和意大利版画，光福的关于希罗尼穆斯·科克作为印刷出版商的活动，金山的关于滑稽建筑的重建及其对巴洛克建筑的影响，渡边的关于祖卡雷利绘画中的古董雕塑主题，栗田翻译并评论了17世纪法国学院关于拉奥孔的讲座。本报告还补充了由东京国立西洋美术馆三名调查员策划的两份展览目录。它们是“明暗木刻”和“意大利文艺复兴版画”。