Fundamental researches about the organization and the production of Buddhism sculpture in the Edo period

京都的佛教雕塑家文献由一名工匠的nanajou - butusi图像和清水jouun组成。通过调查，我能够知道一个基本的制作过程，佛像图像的积累，订购，发货，制作费用。佛教图像通常用于生产，但它不是用于订购的人的佛教图像，我在说明书上展示的是我写下的材料或执行方法变得清晰起来。至于规格的制作，1670年的一个东西是最古老的，但后来推广了它。至于规格的制作，1670年的一个东西是最古老的，但后来推广了它。这一点与17世纪后半叶以后七行权力从佛教形象匠人向小镇佛教形象匠人转变的过程有关。

The Kyoto term for Buddhist sculptors document consists of a craftsman of nanajou - butusi image and the Shimizu-jouun. I was able to know a basic process of the production by investigation, the accumulation of the iconographic Buddhist image, ordering, delivery of goods, production charges. The iconographic Buddhist image was used in common by production, but it was not the iconographic Buddhist image for a person of ordering, and what I showed on the specifications which I wrote down materials or an execution method became clear. As for the making of specifications, a thing of 1670 is the oldest, but generalizes it afterwards.As for the making of specifications, a thing of 1670 is the oldest, but generalizes it afterwards. This point is related with the process when the seven lines of power shifts from a master craftsman of Buddhist image to the master craftsman of Buddhist image of the town after the latter half in the 17th century.