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The standards-dissolving of the arts and their syntheticalization from the endofthe 19th to the beginning of the 20th cenhuy in the Gennan sphere

十九世纪末二十世纪初现代南界艺术标准的消解及其综合

基本信息

批准号：
18520187
负责人：
NISHIKAWA Tomoyuki
金额：
$ 2.36万
依托单位：
Nagoya University
依托单位国家：
日本
项目类别：
Grant-in-Aid for Scientific Research (C)
财政年份：
2006
资助国家：
日本
起止时间：
2006 至 2007
项目状态：
已结题

项目摘要

During these last two years we have studied the culture-and-art movement which existed from the end of the 19th to the beginning of the 20th century in the German-speaking countries. Under the title 'Die Auflosung der Normen in der Kunst and ihre Synthetisierung zur Jahrhundertwende (The standards-dissolving of the arts and their syntheticalization from the end of the 19th to the beginning of the 20th century in the German sphere) " we aimed to explain the cultural and artistic modernization process from a multidisciplinary perspective, considering such topics as the fine arts, music, dance, literature and fashion.During the final year of this research project in 2007, each member of the project took aim of his or her own research theme fully and closely: Fujii Tagiru studied Schoenberg's atonality system Yamaguchi Yoko studied the Poetics of Else Lasker-Schuler; Nishikawa Tomoyuki studied the Vienna Secession, particularly its 14th exhibition; and Furuta Kaori studied the mediality of the journal Die Jugend. Our research led us to a number of conclusions. For example, we concluded that the culture-and-art movement at the end of the 19th and the beginning of the 20th century not only deconstructed the standards of culture and art, but also attempted to resuscitate the aura of art or its function as a matrix that produced new standards of culture and art.We believe that the purposes of this research project have largely been achieved. However, our research has given rise to a number of new questions. For example, what precisely was it that the artists sought for in the "Gesamtkunstwerk" (total work of art) - These questions have become our new research tasks for the future

这两年我们研究了19世纪末20世纪初德语国家的文化艺术运动。在“Die Auflosung der Normen in der Kunst and ihre Synthetisierung zur Jahrhundertwende”（19世纪末至20世纪初德国范围内艺术标准的消解及其综合化）的标题下，我们旨在从多学科的角度解释文化和艺术现代化进程，考虑美术、音乐、 2007年是这个研究项目的最后一年，该项目的每个成员都充分而密切地瞄准了自己的研究主题：藤井田岐研究了勋伯格的无调性系统山口洋子研究了埃尔斯·拉斯克-舒勒的诗学；西川智之研究了维也纳分离派，特别是其第14次展览；古田香织研究过《Die Jugend》杂志的媒介性。我们的研究得出了一些结论。例如，我们得出的结论是，19世纪末20世纪初的文化艺术运动不仅解构了文化艺术的标准，而且还试图复兴艺术的光环或其作为产生新的文化艺术标准的基质的功能。我们认为，这个研究项目的目的很大程度上是为了实现了。然而，我们的研究提出了一些新问题。比如，艺术家们在“Gesamtkunstwerk”（艺术作品总体）中到底追求什么——这些问题都成为了我们未来新的研究任务。