Stady on the relation between《Republic》and Mallarme's theater aesthetic

点击翻译按钮获取中文摘要

In this study, we propose to analyze the dramatic theory of Stephane Mallarme from a new perspective, by replacing it in the theatrical, social, and political situation at the time. More specifically, we try to clarify the peculiarity of vision of Mallarme, by comparing the texts of this french poet and other dramatic criticism in those days. And also, by reading plays intended to his comment, and the use of engravings published in magazines or newspapers. In parallel, we built the database of the performance in Paris of late 19^<th> century and theater reviews addressed the same works that Mallarme had seen (or read) and criticized.