The study of Asakusa Opera based on the censored librettoes

本研究是浅草歌剧舞台的历史调查，在审查的剧本。迄今为止，浅草歌剧的舞台被认为是欧洲原始舞台的简化版。但是，从本研究的结果来看，浅草歌剧的舞台被重新配置为一种独特的日本音乐剧，例如，浅草歌剧的作者增加了新的对话和场景，因为剧院观众可以在当时的日本文化背景下欣赏它，或者演员将大歌剧分成几个场景，在一个舞台上表演一个场景，以保持法律。

This study is the historical investigation of the stage of Asakusa Opera, on the censored librettos. So far, the stage of Asakusa Opera was thought to be the simplified version of the original stage in Europe. But, the result from this study, the stage of Asakusa Opera was reconfigured as a uniquely Japanese musical play, for example, the Asakusa Opera writer add to new dialogues and scenes because the theater audience could enjoy it in the context of the Japanese culture at the time, or the actor divided a Grand Opera into several scenes and played one scene on one stage for to keep the law.