A restoration study of Koyasann Amano shinto-shrine Bugaku Mandaraku and Nazan shinryu shomyo in Edo priod

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The aim of this research is to clarify the actual rituals of Amano Shinto-shrine Bugaku Mandaraku in Edo priod, which includes buddhist chant and gagaku. In Koyasan before Meiji Restoration, Music and performing arts were forbidden for the reason for hindrance of the priest's practices. Therefor, Amano Shinto-shrine, which located halfway down from the top of Koyasan, was the only place where priest of Koyasan enjoy the music and performing arts. The last Amanosha Bugaku Mandaraku was held in 1839. Nowadays nobody knows the actual rituals of it. In my investigation, I assume that the musical interval of nanzanshinryu syomyo in edo piriod was not tne same as today's one.