A restoration study of Koyasann Amano shinto-shrine Bugaku Mandaraku and Nazan shinryu shomyo in Edo priod

本研究旨在厘清江户时代天野神道教宫武乐满乐的实际仪式，包括佛教诵经与雅乐。在明治维新之前的高野山，音乐和表演艺术是被禁止的，原因是妨碍了牧师的实践。因此，位于高野山山顶半山腰的天野神社，是高野山神父唯一欣赏音乐和表演艺术的地方。最后一次Amanosha Bugaku Mandaraku于1839年举行。现在没有人知道它的实际仪式。在我的调查中，我认为江户时代的南山神流表演的音乐间隔与今天的不一样。

The aim of this research is to clarify the actual rituals of Amano Shinto-shrine Bugaku Mandaraku in Edo priod, which includes buddhist chant and gagaku. In Koyasan before Meiji Restoration, Music and performing arts were forbidden for the reason for hindrance of the priest's practices. Therefor, Amano Shinto-shrine, which located halfway down from the top of Koyasan, was the only place where priest of Koyasan enjoy the music and performing arts. The last Amanosha Bugaku Mandaraku was held in 1839. Nowadays nobody knows the actual rituals of it. In my investigation, I assume that the musical interval of nanzanshinryu syomyo in edo piriod was not tne same as today's one.