Mori Ogai and the royal capital Munich

森外的《歌田之纪》与德国艺术界的趋势，特别是慕尼黑的画家。（Title）当小外在慕尼黑时，现代主义艺术运动刚刚爆发，由学院主导的艺术界现有结构正在失去控制。 对围绕年轻的Ogai的这些情况的清晰理解促使人们观察到，歌方之气中的人物正试图将自己从学院中移除。 这些角色都去了斯塔恩贝格湖。 事实上，寻找新的表现形式的年轻画家确实聚集在那里。 本文在这些艺术和文化发展的背景下重新审视这个故事。

Utakata no ki by Mori Ogai and Trends in the German Art World, with Special Reference to the Painters of Munich. (Title) When Ogai was in Munich, the Modernist Art Movement was just erupting, and the existing structure of the art world, dominated by the Academy, was losing its hold. A clear understanding of these circumstances surrounding the young Ogai prompts the observation that the characters in Utakata no ki are trying to remove themselves from the Academy. Those characters all head off to Lake Starnberg. In fact, young painters in search of new forms of expression did gather in that very area. This article re-examines the story in the context of these artistic and cultural developments.