A study on methodology of architectural drawings in Edo-era

江户时代建筑绘图方法论研究

• 批准号: 09305040
• 负责人: GOTO Hisataro
• 金额: $ 16.51万
• 依托单位: MIYAGI GAKUIN WOMEN'S COLLEGE
• 依托单位国家: 日本
• 项目类别: Grant-in-Aid for Scientific Research (A).
• 财政年份: 1997
• 资助国家: 日本
• 起止时间: 1997 至 2000
• 项目状态: 已结题
• 来源: https://kaken.nii.ac.jp/grant/KAKENHI-PROJECT-09305040/
• 关键词: Drawing methodology; Architectural drawing; Edo era

Questionnaires sent to around 2,800 of organizations to ask if they own Sashizu-drawings allowed us to identify around 40 organizations as owners of large collection of Sashizu. From the collections we selected approximately 800 drawings to investigate, and bibliographic data and photographs were taken from approximately 500 drawings out of the 800 drawings selected.In the study we obtained the following results :1. Most Sashizu-drawings are preserved by the libraries, educational institutions and community centers of local governments, and the number of Sashizu-drawings currently preserved is proportional to the total number of documents that originally existed within the respective clan with higher remaining probability in larger clan.2. The facts pointed out by Goto, chief of this study, in his study on Nakai Family's drawing methodology (Goto, "A study on Nakai Family's documents, Vol. 1 through 10", Chuohkoronbizyutsusyuppan, 1976-1985) are also applicable to these in other clans.3. Drawings with unique features also existed in some clans. For examples, Nakai Family's drawings changed their type from Hariezu-drawing (a floor plan illustrated by using different colored papers pasted on white background paper) to Kakiezu-drawing (a floor plan drawn directly on white background by using brush or the like) in the later half of 18 century. However, in the both Takeo-Nabeshima and Shimabara-Matsudaira Clans in Kyusyu area, only Hariezu type is used throughout Edo era. Other unique techniques were developed in Okayama-Ikeda and Hirosaki-Tsugaru Clans as well.

我们向大约2,800个组织发送了调查问卷，询问他们是否拥有Sashizu图纸，这使我们能够确定大约40个组织拥有大量的Sashizu收藏品。本研究从馆藏中选取了约800幅绘画作品进行调查，并对其中约500幅绘画作品进行了文献资料和照片的采集。大部分的佐贺图画都保存在地方政府的图书馆、教育机构和社区中心，目前保存的佐贺图画的数量与原始存在于各自氏族内的文件总数成正比，在较大的氏族中保留的概率更高。本研究的负责人后藤在他对中井家绘画方法的研究（后藤，“中井家文献研究，第1至第10卷”，中央美术馆，1976-1985）中指出的事实也适用于其他家族。在一些氏族中，也有一些独具特色的图画。例如，在世纪后半期，Nakai家族的绘画从Hariezu绘画（通过使用粘贴在白色背景纸上的不同颜色的纸来说明平面图）改变为Kakiezu绘画（通过使用画笔等直接在白色背景上绘制的平面图）。然而，在九州地区的竹夫-锅岛和岛原-松平氏族中，只有Hariezu类型在整个江户时代使用。其他独特的技术也在冈山池田和弘前津轻氏族中发展起来。