Canonic Techniques and Musical Change from c.1330 to c.1530

该项目旨在重新概念化目前对大约1330年至大约1530年的音乐作品的理解。它采用创新的计算工具，旨在首次展示作曲家用来创作不同类型音乐经典的具体技术。由此产生的专着将寻求作出实质性和原创性的贡献，作曲实践的历史，并展示了在更广泛的社会文化功能和音乐的使用规范技术发挥的基本作用。

This project aims to reconceptualise current understandings of musical composition from circa 1330 to circa 1530. Employing innovative computational tools, it aims to show for the first time the specific techniques that composers employed to create different kinds of musical canons. The resulting monograph will seek to make a substantive and original contribution to the history of compositional practice and demonstrate the fundamental role played by canonic techniques in broader sociocultural functions and uses of music.