Canonic Techniques and Musical Change from c.1330 to c.1530

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This project aims to reconceptualise current understandings of musical composition from circa 1330 to circa 1530. Employing innovative computational tools, it aims to show for the first time the specific techniques that composers employed to create different kinds of musical canons. The resulting monograph will seek to make a substantive and original contribution to the history of compositional practice and demonstrate the fundamental role played by canonic techniques in broader sociocultural functions and uses of music.