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Radio Drama: Historical and Theoretical Perspectives

广播剧：历史和理论视角

基本信息

批准号：
AH/I000682/1
负责人：
Richard Hand
金额：
$ 4.44万
依托单位：
University of South Wales
依托单位国家：
英国
项目类别：
Fellowship
财政年份：
2010
资助国家：
英国
起止时间：
2010 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FI000682%2F1
关键词：
Radio Drama Historical Theoretical Perspectives

项目摘要

I have secured a contract to write a monograph entitled Listen in Terror: British Horror Radio from the Advent of Broadcasting to the iPod for Manchester University Press to be published in 2012. The research for this project builds upon my experience and expertise in research, most directly upon the work I undertook for Terror on the Air: Horror Radio in America, 1931-52 (McFarland 2006): the first full-length study of US horror radio which was researched and written with support from an Arts and Humanities Research Board Small Grant in the Performing Arts awarded in 2004. Terror on the Air has enjoyed extremely positive reviews, being described as 'a well written, highly documented, greatly researched book' (Illustrated Press 342, September 2006), an 'excellent study' (Gothic Studies 9.2, 2007), and 'a masterful' work which 'fills a vital niche in broadcasting history' (Journalism History, July 2007). Terror on the Air has also given me a media profile with regard to radio drama and since its publication I have made appearances on radio news and documentaries for the BBC (World Service and Radio 4's Today programme) as well as on Australian, German, and American radio. My new monograph will be another groundbreaking book this time offering the first full-length study of horror radio and 'spoken word' horror performance in Britain. From experiments in pre-radio audio cultures, the pioneering days of live radio broadcasting (1920-50s), through the era of pre-recorded broadcast drama to the digital audio cultures of our own time, this volume will offer an historical, critical and theoretical exploration of horror radio and 'spoken word' horror performance in Britain. The book will look at key issues such as writing and narrative, performance practice (actor, director, sound effects and music) and reception throughout the history of that most neglected of popular art forms: radio drama and 'spoken word' auditory cultures.The completion of the output requires research to be conducted primarily using archival resources and theoretical engagement, but as an accomplished practitioner having written and webcast/broadcast two experiments in live horror radio drama I intend to underpin my written research with an element of experimentation within drama and radio studios.

我已经获得了一份合同，为曼彻斯特大学出版社写一本专著，题为《在恐怖中聆听：英国恐怖广播从广播的出现到iPod》，将于2012年出版。这个项目的研究建立在我在研究方面的经验和专业知识的基础上，最直接的是我在《空中恐怖：美国恐怖广播，1931-52》（McFarland 2006）中所做的工作：这是美国恐怖广播的第一个完整的研究，是在2004年艺术和人文研究委员会表演艺术小额赠款的支持下进行的。《空中恐怖》获得了非常积极的评价，被描述为“一本写得很好，文献丰富，研究深入的书”（画报出版社342,2006年9月），是一本“优秀的研究”（哥特研究9.2,2007年），是“一部杰作”，“填补了广播史上至关重要的空白”（新闻史，2007年7月）。《空中恐怖》也给了我一个关于广播剧的媒体形象，自从它出版以来，我在BBC的广播新闻和纪录片（世界服务和广播4的今日节目）以及澳大利亚、德国和美国的广播中露面。我的新专著将是另一本开创性的书，这一次提供了英国恐怖广播和“口语”恐怖表演的第一个完整的研究。从广播前音频文化的实验，现场广播的先驱日子（1920-50年代），通过预先录制的广播戏剧时代到我们这个时代的数字音频文化，这本书将提供恐怖广播和“口语”恐怖表演在英国的历史，批判和理论探索。这本书将着眼于关键问题，如写作和叙事，表演实践（演员，导演，音响效果和音乐）和整个历史上最被忽视的流行艺术形式的接收：广播剧和“口语”听觉文化。完成输出需要主要使用档案资源和理论参与进行研究，但作为一名有成就的实践者，我已经在现场恐怖广播剧中编写和网络广播了两个实验，我打算用戏剧和广播工作室的实验元素来支持我的书面研究。