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Tudor Partbooks: the manuscript legacies of John Sadler, John Baldwin and their antecedents

都铎分册：约翰·萨德勒、约翰·鲍德温及其前辈的手稿遗产

基本信息

批准号：
AH/L006952/1
负责人：
Magnus Williamson
金额：
$ 74.38万
依托单位：
Newcastle University
依托单位国家：
英国
项目类别：
Research Grant
财政年份：
2014
资助国家：
英国
起止时间：
2014 至无数据
项目状态：
已结题

来源：
https://gtr.ukri.org/projects?ref=AH%2FL006952%2F1
关键词：
Tudor Partbooks manuscript legacies John

项目摘要

'Tudor Partbooks' has two main objectives: to transform public and scholarly access to Tudor musical sources from the 1520s to the 1580s, particularly through the publication of restored and reconstructed facsimiles of key manuscripts; and to advance our understanding of this corpus of manuscripts and their palaeographical and contextual interrelationships by answering a number of key research questions that can only be addressed with the exceptional document access created by this project. Achieving these objectives is predicated upon digitization of the English polyphonic sources from the lifetimes of Henry VIII and his daughter Elizabeth I. The manuscripts to be investigated include: early sixteenth-century choirbooks (already digitized); Henrician partbook sets Forrest-Heyther, Royal Appendix 45-8 and Peterhouse; and the Edwardian sets Lumley and Wanley. But the central witnesses are a cluster of Elizabethan sets copied between the 1560s and the 1580s: Baldwin, Dow, Gyffard, Hamond and Sadler. These partbooks are the dominant witnesses to the Tudor polyphonic tradition, but were copied several decades after many of the works they preserve had been composed, raising doubt as to their reliability as witnesses of earlier practices. Tudor Partbooks will analyse data from across the sixteenth century in order to provide objective evidence with which to address this question. The creation of a comprehensive bank of digital images will enable this to be undertaken through an investigation into notational syntax from the 1500s to the 1580s, alongside a detailed and methodologically consistent study of the manuscripts themselves.Tudor Partbooks will achieve its principal objectives through a range of publications which will in turn fulfil a wider range of secondary aims, exploiting the potential of both digital and print formats. Online publication of digital images at the Digital Image Archive of Medieval Music (www.diamm.ac.uk) will give free public access to all the primary sources; two facsimile editions will deploy the research team's technical expertise (in the digital restoration of the badly corroded Sadler partbooks), and its experience in the reconstruction of incomplete polyphony (through the collaborative creation of a replacement Tenor book for the Baldwin partbooks); further outputs will include a PhD thesis on Tudor scribal practices, two editions of early sixteenth-century polyphony, a collaborative book on methodologies and principles of polyphonic reconstruction, contextual studies of Tudor manuscript culture, detailed source studies, and online dissemination of project findings (a VLE on notation, podcasts on digital restoration, and additional materials prepared for the reconstruction workshops). The project team have secured the collaboration of the British Library and the Bodleian Library, the major holders of manuscripts relevant to this project as Project Partners, and of DIAMM for digitization of sources outside major institutional repositories. All images will be delivered online through diamm.ac.uk without additional cost to this project. The British Academy and the Oundle International Festival have also consented to join as Project Partners; the internationally-acclaimed vocal ensemble Stile Antico will act as project collaborators.

《都铎笔记》有两个主要目标：转变公众和学者对从15世纪20年代到80年代的都铎音乐资源的获取，特别是通过出版修复和重建的关键手稿复制品；通过回答一些关键的研究问题来促进我们对这一手稿语料库及其古地理和语境相互关系的理解，这些问题只能通过这个项目创造的特殊文件获取来解决。实现这些目标的前提是将亨利八世和他女儿伊丽莎白一世生前的英语复调音源数字化。要调查的手稿包括：16世纪早期的合唱书(已经数字化)；亨利部分书集福雷斯特-海瑟、皇家附录45-8和彼得豪斯；以及爱德华七世集Lumley和Wanley。但核心证人是一群在15世纪60年代和15世纪80年代之间复制的伊丽莎白时代的套装：鲍德温、陶氏、吉法德、哈蒙德和萨德勒。这些零件本是都铎复调传统的主要见证者，但在它们保存的许多作品创作几十年后被复制，这让人对它们作为早期做法的见证者的可靠性产生了怀疑。都铎笔记将分析16世纪的数据，以提供客观的证据来解决这个问题。创建一个全面的数字图像库将使这一点能够通过对从15世纪到15世纪80年代的符号句法的调查，以及对手稿本身的详细和方法上的一致研究来进行。都铎伙伴书将通过一系列出版物实现其主要目标，这些出版物反过来又将实现更广泛的次要目标，开发数字和印刷格式的潜力。在中世纪音乐数字图像档案馆(www.Diamm.ac.uk)在线出版数字图像将向公众免费提供所有主要来源；两个传真版将利用研究小组的技术专长(在严重腐蚀的萨德勒部分书的数字修复方面)及其在重建不完整复调方面的经验(通过合作为鲍德温部分书创建一本替代男高音书)；其他成果将包括关于都铎王朝抄写实践的博士论文、16世纪早期复调音乐的两个版本、关于复调重建方法和原则的合作书籍、都铎王朝手稿文化的背景研究、详细的来源研究、项目结果的在线传播(关于符号的VLE、关于数字恢复的播客、以及为重建讲习班准备的补充材料)。项目小组获得了大英图书馆和Bodleian图书馆的合作，大英图书馆和Bodleian图书馆是与该项目有关的手稿的主要持有者，DIAMM作为项目合作伙伴对主要机构储存库以外的资料进行数字化。所有图像将通过Diamm.ac.uk在线交付，而不会对此项目产生额外费用。英国学院和奥恩德尔国际音乐节也同意作为项目合作伙伴加入；国际知名的声乐团Stile Antico将作为项目合作伙伴。